Godolphin, Volume 4.Lytton, Edward Bulwer Lytton, Baron
General
Godolphin, Volume 4.
Lytton, Edward Bulwer Lytton, Baron
England -- Social life and customs -- 19th century -- Fiction
"Of the immutability of one thing among all the changes I may witness on
my return, at least I am certain no one still will dare to think for
himself. The great want of each individual is, the want of an opinion!
For instance, who judges of a picture from his own knowledge of painting?
Who does not wait to hear what Mr. ----, or Lord ---- (one of the six or
seven privileged connoisseurs), says of it? Nay, not only the fate of a
single picture, but of a whole school of painting, depends upon the
caprice of some one of the self-elected dictators. The King, or the Duke
of ----, has but to love the Dutch school and ridicule the Italian, and
behold a Raphael will not sell, and a Teniers rises into infinite value!
Dutch representations of candlesticks and boors are sought after with the
most rapturous delight; the most disagreeable objects of nature become the
most worshipped treasures of art; and we emulate each other in testifying
our exaltation of taste by contending for the pictured vulgarities by
which taste itself is the most essentially degraded. In fact, too, the
meaner the object, the more certain it is with us of becoming the rage.
In the theatre, we run after the farce; in painting, we worship the Dutch
school; in----"
"Literature?" said Saville.
"No!--our literature still breathes of something noble; but why? Because
books do not always depend upon a clique. A book, in order to succeed,
does not require the opinion of Mr. Saville or Lady Erpingham so much as a
picture or a ballet."
"I am not sure of that," answered Saville, as he withdrew presently
afterwards to a card-table, to share in the premeditated plunder of a
young banker, who was proud of the honour of being ruined by persons of
rank.
In another part of the rooms Constance found a certain old philosopher,
whom I will call David Mandeville. There was something about this man
that always charmed those who had sense enough to be discontented with the
ordinary inhabitants of the Microcosm,--Society. The expression of his
countenance was different from that of others: there was a breathing
goodness in his face--an expansion of mind on his forehead. You perceived
at once that he did not live among triflers, nor agitate himself with
trifles. Serenity beamed from his look--but it was the serenity of
thought. Constance sat down by him.
Public-domain text, read in full here on John Shaqi.
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