Angkor Wat (Angkor) -- Fiction; Science fiction; Time travel -- Fiction; World War, 1939-1945 -- Fiction
Time was getting short. So treacherously short, in fact, that working
feverishly they had barely succeeded in setting the rude beginning of
their barricades before the vulnerable doorways when the attackers hove
in view. Johnny Grinnell gave the alarm.
"Here they come, Ramey! Around the edge of the terrace wall. Six ... a
dozen of them. I don't see the captain, though."
"You won't," bellowed Red. "'Cause he's over here. They done what you
figured, Ramey; split up. They're coming at us from both sides. Well--"
"Wait!" snapped Ramey. "Don't shoot unless they do!"
Red lowered his rifle reluctantly. "Damn if you ain't the--the
_pacificest_ guy I ever saw! Always letting the other guy get the drop
on you. It gives me a pain in the--_Wow!_ There it comes! Well, I can
shoot, _now_!"
For his sentence had been punctuated by a simultaneous opening fire
from both attack parties. His own gun barked answer. And this time,
more ruthlessly, more determinedly than it had waged before the battle
begun on the upper causeway continued.
* * * * *
There was no time for the details of that fight to register coherently
upon Ramey Winters' brain. But later he found etched in his memory
sharp, indelible highlights of those frenzied moments.
His own gun, spluttering and coughing against his cheek as he crouched
at the edge of the doorway, firing at figures that slipped, wraithlike,
through the murky corridor. The incessant, crashing echo of what seemed
like a thousand guns; here in these vaulted depths sound smashed back
upon itself thunderously, seemed to merge with the thickening, acrid
smoke and roll about the room in reverberant waves. Red Barrett,
holding his heavy rifle pistol-wise in one hamlike paw, dripping curses
in a loud, prolific stream as with his free hand he tucked into place
the edge of a raveling bandage. Syd O'Brien, scowling at his side,
methodically pumping his shots where they would do the most good. Lake
O'Brien, across the room, achieving the same result with roars of
boisterous glee.
Other details. Dr. Aiken's plaintive moan rising above the crash of
gunfire. "Those carvings! Those priceless carvings! Ruined!" A glimpse
of Sheila Aiken, an angel yet, but an avenging angel now; face smudged
and sweating, white hands flying like shuttles as she reloaded the hot,
empty rifles and lined them again within reach of the fighters. The
whining sing-song of Sheng-ti, stalking up and down the room, invoking
something of his placid, contemplative god; whether a blessing or a
curse Ramey could not tell.
Then Sheila's voice rose, shrill, alarmed. "Johnny! Ramey! At the court
gate!"
Ramey spun to the small east doorway, rifle leveled. But even as his
sights centered on a yellow face, Syd O'Brien's arm knocked up his
gun. The bullet gouged flecks from a priceless mosaic. "Don't! It's
Tomasaki! Call him, Sirabhar! Get him to help!"
Public-domain text, read in full here on John Shaqi.
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