Angkor Wat (Angkor) -- Fiction; Science fiction; Time travel -- Fiction; World War, 1939-1945 -- Fiction
Her voice came back, excited but unfearful, "I'm all right, Daddy.
And--Barrett was right! There _is_ a ladder in here. But it goes up
instead of down! Come and bring the torch! This is the _strangest
room_!"
Syd had already torn the flambeau from its bracket. Now he and the
others crowded forward eagerly into the metal chamber. But if they had
hoped a view of its interior would solve their questions, they were
doomed to disillusionment. For the mystery of the cube was heightened,
rather than decreased, by that which the flickering torch revealed.
An interior fashioned and equipped like a small room; for all the
world, Ramey thought confusedly, like one of those efficiently compact
cabins on ocean liners. A metal bench or working table. Two wooden
chair frames, now seatless. In one corner a stiff pallet. Everywhere
mouldering dust that fumed upward as their feet scuffed the floor;
dust that must be, Ramey realized suddenly, the detritus of ages.
The wheezy puff they had heard as the door swung open was proof that
the cubicle was nearly airtight. That which eddied about them now,
tickling their nostrils, must be the dust of less permanent materials
than metal and wood, disintegrated by slow years. Those whorls beneath
the seatless chairs might once have been rush or tapestry; the thick,
powdery fluff on the pallet be the residue of vanished bedsilks.
But it was foolish to conjecture on things vanished when so many
tangible wonders greeted the eye. For as Sheila had said, a ladder
climbed the near wall to the ceiling; on the wall before one of the
chairs was a panel, and on this panel--
Ramey's eyes bulged.
"Doctor!" he cried. "Those dials! Those levers!"
Dr. Aiken was staring at the panel like one who sees a lifetime of
reason and learning collapse before him. "I--I can't understand it!" he
stammered weakly. "Machinery? But the ancients had no knowledge--"
* * * * *
Ramey, moving forward, kicked something. He bent and picked it up. It
was as incomprehensible as the panel. It was a metal arch about three
feet long, supported by a cross-brace upon which was mounted a sealed
cylinder, also of metal. The instrument was equipped with a rest carven
to fit the shoulder. Its semi-circular portion was pierced on the outer
rim at one-eighth inch intervals with tiny holes, and where the hoop
joined the cylinder there were what seemed to be two handgrips equipped
with finger-studs.
Instinctively Ramey raised it to his shoulder. It balanced like an
archer's crossbow, except that it had neither stock nor projectile
grooves. That it was a weapon of some sort he had no doubt. An impulse
stirred him to press the stud beneath his trigger finger, but he
subdued it. It would be folly to test a weapon of unguessed nature in
such confined quarters.
In this weird moment he had forgotten everything save his own
excitement. Now a cry dragged him back from the world of wonder to the
world of actuality.
Public-domain text, read in full here on John Shaqi.
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