Goethe and Schiller: An Historical RomanceMühlbach, L. (Luise)
General
Goethe and Schiller: An Historical Romance
Mühlbach, L. (Luise)
Goethe, Johann Wolfgang von, 1749-1832 -- Fiction; Schiller, Friedrich, 1759-1805 -- Fiction
"That you should not do," said Goethe, gently, "let me make a
confession, Moritz: I believe that I am not capable of such a love--am
not capable of losing my own individuality in that of another. I am
not capable of subjecting all other thoughts, wishes, and cravings, to
the one thought, wish, and craving of love. Perhaps this was at one
time my condition, perhaps my Werther spoke of my own life, and perhaps
this tragedy was written with the blood of my heart, then bleeding for
Charlotte Kästner. But you perceive that I did not shoot myself like
Werther. I have steeled my heart since then to enable it to rely on its
own strength, and to prevent its ever being carried away by the storm
of passion. I am proof against this, and will ever be so!"
"To be in Rome!" exclaimed Moritz, "in Rome, with a heart void of all
save the ashes of friendship for Charlotte von Stein, and to remain
cold and indifferent to the most beautiful women in the world!"
"That is not true, that is calumny!" said Goethe, smiling. "My heart
is not cold, but glows with admiration and love for the noblest and
loveliest woman, for the goddess of beauty, chastity, and virtue. She
was my first love in Rome, and will be my only love. I yearned for her
until she at last yielded to my entreaties, and took up her abode in my
poor house. Yes, I possess her, she is mine! No words can give an idea
of her, she is like one of Homer's songs!"[36]
"I would like to know," cried Moritz, in astonishment, "yes, really, I
would like to know of whom you are speaking!"
"I am speaking of her," said Goethe, pointing to a colossal bust of
the Juno Ludovisi, that stood on a high pedestal in a corner of the
room. He approached the pedestal, looked up into the proud and noble
countenance of the chaste goddess, and greeted her with a radiant smile.
"I greet you, mysterious goddess, on whose brow love and chastity
are enthroned! When I behold you I seem to hear words of revelation,
and I then know that you reflect all that the fancy of the poets,
the researches of the learned, and the piety of priests, ever
thought or depicted that is sublime and beautiful. You are the
blessing-dispensing Isis of the Egyptians, the Venus Aphrodite, and
Mother Mary, all in one, and I stand before you in pious awe, adoring,
loving and--"
"Holy Mary! Holy Januarius!" screamed a voice from the doorway, and a
woman, in the picturesque dress of an Italian peasant, rushed into the
room. "Signori, signori, a wonder, a miracle!"
"What do you mean, Signora Abazza?" asked Goethe, laughing, as Moritz,
alarmed by the old woman's screeching, withdrew hastily to the window
recess.
"What do I mean?" repeated the old woman, as she sank breathlessly into
a chair. "A miracle has occurred, Signori! My cat is praying to God the
Father!"
"How so, signora?" asked Goethe, while Moritz had abandoned his retreat
and was slowly approaching the old woman, curiosity depicted in his
countenance.
Public-domain text, read in full here on John Shaqi.
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