Goethe and Schiller: An Historical RomanceMühlbach, L. (Luise)
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Goethe and Schiller: An Historical Romance
Mühlbach, L. (Luise)
Goethe, Johann Wolfgang von, 1749-1832 -- Fiction; Schiller, Friedrich, 1759-1805 -- Fiction
"I mean just what I say, signori! I went to your bedchamber to make
up the bed, and the cat accompanied me as usual. Suddenly I heard a
whining and mewing, and when I looked around, supposing she had hurt
herself in some way, I saw her--but come and look yourselves. It is a
miracle, signori! A miracle!" She sprang up, rushed to the door of the
bedchamber, opened it, looked in, and beckoned to the two friends to
approach. "Softly, softly, signori; do not disturb her!"
Goethe and Moritz walked noiselessly to the door, and looked into the
adjoining room. There, on the antiquated wardrobe, opposite Goethe's
bed, and illumined by the sunlight that poured in through the broad
window, stood the colossal bust of the almighty Jupiter. In front of
this bust, full of beauty and regal composure, stood Madame Abazza's
gray cat, upright on her hind feet. She had laid her forepaws on the
god's broad breast, and stretched her neck so that she could gaze into
his majestic countenance, and touch with her tongue the lips with their
godlike smile, and the beard with its curling locks. She kissed his
divine lips ardently, and zealously licked his curly beard, stopping
now and then to gaze for a moment at his royal countenance, and to
utter a tender, plaintive mew, and then renewing her attention to beard
and lips.
Goethe and Moritz looked on with smiling astonishment, the old woman
with pious dismay.
"Come to me, pussy," cried the signora at last; "come to me, my little
pet, I will give you some milk and sugar; come!"
But call and entreat as she would, the cat would not allow herself to
be disturbed in her devotions, not even when Goethe walked heavily
through the room and stepped up to the wardrobe. She continued to
kiss the god's lips and beard, and to utter her plaintive mews.
Signora Abazza, who was standing in the door-way, with folded hands,
now protested that the cat sang exactly like Father Ambrose when he
officiated at the morning mass, and that her heart, the signora's, was
filled with pious devotion.
"I must, however, bring this cat-mass to an end," cried Goethe,
laughing, "for if the cat continues her devotions much longer, another
miracle will take place: the divine locks will dissolve, and the
lips, so expressive of wisdom and majesty, will be nothing more than
shapeless plaster. Halloo! father cat, away with you! You shall not
transform the god into a lump of plaster!" With threatening tones and
gestures he frightened the cat down from the wardrobe, and drove her
out of the room. Goethe and his friend then returned to the parlor.
"Wonders are the order of the day," said Moritz, thoughtfully, "and we
are surrounded by a mysterious atmosphere of dreams and tokens."
"Only when we are dreamers," cried Goethe, laughing. "To the unbiassed
there is nothing miraculous, to them all things seem natural."
"How can you explain the cat's rapturous devotion?"
Public-domain text, read in full here on John Shaqi.
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