Goethe's literary essays : $b A selection in EnglishGoethe, Johann Wolfgang von
History
Goethe's literary essays : $b A selection in English
Goethe, Johann Wolfgang von
Art; Literature -- History and criticism
“I set about investigating every trace of Hamlet’s character, as it had
shown itself before his father’s death; I endeavored to distinguish
what in it was independent of this mournful event, independent of the
terrible events that followed; and what most probably the young man
would have been had no such thing occurred.
“Soft, and from a noble stem, this royal flower had sprung up under the
immediate influences of majesty: the idea of moral rectitude with that
of princely elevation, the feeling of the good and dignified with the
consciousness of high birth, had in him been unfolded simultaneously.
He was a prince, by birth a prince; and he wished to reign, only that
good men might be good without obstruction. Pleasing in form, polished
by nature, courteous from the heart, he was meant to be the pattern of
youth and the joy of the world.
“Without any prominent passion, his love for Ophelia was a still
presentiment of sweet wants. His zeal in knightly accomplishments was
not entirely his own: it needed to be quickened and inflamed by praise
bestowed on others for excelling in them. Pure in sentiment, he knew
the honorable-minded, and could prize the rest which an upright spirit
tastes on the bosom of a friend. To a certain degree he had learned
to discern and value the good and the beautiful in arts and sciences;
the mean, the vulgar, was offensive to him; and, if hatred could take
root in his tender soul, it was only so far as to make him properly
despise the false and changeful insects of a court, and play with them
in easy scorn. He was calm in his temper, artless in his conduct,
neither pleased with idleness, nor too violently eager for employment.
The routine of a university he seemed to continue when at court. He
possessed more mirth of humor than of heart: he was a good companion,
pliant, courteous, discreet, and able to forget and forgive an injury,
yet never able to unite himself with those who overstepped the limits
of the right, the good, and the becoming.
“When we read the piece again, you shall judge whether I am yet on the
proper track. I hope at least to bring forward passages that shall
support my opinion in its main points.”
This delineation was received with warm approval; the company imagined
they foresaw that Hamlet’s manner of proceeding might now be very
satisfactorily explained; they applauded this method of penetrating
into the spirit of a writer. Each of them proposed to himself to take
up some piece, and study it on these principles, and so unfold the
author’s meaning....
Loving Shakespeare as our friend did, he failed not to lead round
the conversation to the merits of that dramatist. Expressing, as he
entertained, the liveliest hopes of the new epoch which these exquisite
productions must form in Germany, he erelong introduced his _Hamlet_,
which play had busied him so much of late.
Public-domain text, read in full here on John Shaqi.
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