Goethe's Theory of ColoursGoethe, Johann Wolfgang von
Philosophy
Goethe's Theory of Colours
Goethe, Johann Wolfgang von
Color
Black, as the equivalent of darkness, leaves the organ in a state of
repose; white, as the representative of light, excites it. We may,
perhaps, conclude from the above experiment (16) that the unexcited
retina, if left to itself, is drawn together, and occupies a less space
than in its active state, produced by the excitement of light.
Hence Kepler says very beautifully: "Certum est vel in retinâ caussâ
picturæ, vel in spiritibus caussâ impressionis, exsistere dilatationem
lucidorum."--_Paralip. in Vitellionem_, p. 220. Scherfer expresses a
similar conjecture.--Note A.
19.
However this may be, both impressions derived from such objects remain
in the organ itself, and last for some time, even when the external
cause is removed. In ordinary experience we scarcely notice this, for
objects are seldom presented to us which are very strongly relieved
from each other, and we avoid looking at those appearances that dazzle
the sight. In glancing from one object to another, the succession of
images appears to us distinct; we are not aware that some portion of
the impression derived from the object first contemplated passes to
that which is next looked at.
20.
If in the morning, on waking, when the eye is very susceptible, we look
intently at the bars of a window relieved against the dawning sky, and
then shut our eyes or look towards a totally dark place, we shall see a
dark cross on a light ground before us for some time.
21.
Every image occupies a certain space on the retina, and of course a
greater or less space in proportion as the object is seen near or at a
distance. If we shut the eyes immediately after looking at the sun we
shall be surprised to find how small the image it leaves appears.
22.
If, on the other hand, we turn the open eye towards the side of a
room, and consider the visionary image in relation to other objects,
we shall always see it larger in proportion to the distance of the
surface on which it is thrown. This is easily explained by the laws of
perspective, according to which a small object near covers a great one
at a distance.
23.
The duration of these visionary impressions varies with the powers
or structure of the eye in different individuals, just as the time
necessary for the recovery of the tone of the retina varies in passing
from brightness to darkness (10): it can be measured by minutes and
seconds, indeed much more exactly than it could formerly have been
by causing a lighted linstock to revolve rapidly, so as to appear a
circle.--Note B.
24.
But the force with which an impinging light impresses the eye is
especially worthy of attention. The image of the sun lasts longest;
other objects, of various degrees of brightness, leave the traces of
their appearance on the eye for a proportionate time.
25.
These images disappear by degrees, and diminish at once in distinctness
and in size.
26.
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