Goethe's Theory of ColoursGoethe, Johann Wolfgang von
Philosophy
Goethe's Theory of Colours
Goethe, Johann Wolfgang von
Color
But as the sun at last was about to set, and its rays, greatly
mitigated by the thicker vapours, began to diffuse a most beautiful
red colour over the whole scene around me, the shadow colour changed
to a green, in lightness to be compared to a sea-green, in beauty to
the green of the emerald. The appearance became more and more vivid:
one might have imagined oneself in a fairy world, for every object had
clothed itself in the two vivid and so beautifully harmonising colours,
till at last, as the sun went down, the magnificent spectacle was lost
in a grey twilight, and by degrees in a clear moon-and-starlight night.
76.
One of the most beautiful instances of coloured shadows may be
observed during the full moon. The candle-light and moon-light may be
contrived to be exactly equal in force; both shadows may be exhibited
with equal strength and clearness, so that both colours balance each
other perfectly. A white surface being placed opposite the full moon,
and the candle being placed a little on one side at a due distance,
an opaque body is held before the white plane, A double shadow will
then be seen: that cast by the moon and illumined by the candle-light
will be a powerful red-yellow; and contrariwise, that cast by the
candle and illumined by the moon will appear of the most beautiful
blue. The shadow, composed of the union of the two shadows, where
they cross each other, is black. The yellow shadow (74) cannot perhaps
be exhibited in a more striking manner. The immediate vicinity of
the blue and the interposing black shadow make the appearance the
more agreeable. It will even be found, if the eye dwells long on
these colours, that they mutually evoke and enhance each other, the
increasing red in the one still producing its contrast, viz. a kind of
sea-green.
77.
We are here led to remark that in this, and in all cases, a moment or
two may perhaps be necessary to produce the complemental colour. The
retina must be first thoroughly impressed with the demanding hue before
the responding one can be distinctly observable.
78.
When divers are under water, and the sunlight shines into the
diving-bell, everything is seen in a red light (the cause of which
will be explained hereafter), while the shadows appear green. The very
same phenomenon which I observed on a high mountain (75) is presented
to others in the depths of the sea, and thus Nature throughout is in
harmony with herself.
79.
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