Goethe's Theory of ColoursGoethe, Johann Wolfgang von
Philosophy
Goethe's Theory of Colours
Goethe, Johann Wolfgang von
Color
If those who are at some elevation in a balloon scarcely hear each
other speak, may not this, too, be attributed to the inexcitable state
of the nerves as well as to the thinness of the air?
130.
Objects are often seen by sick persons in variegated colours. Boyle
relates an instance of a lady, who, after a fall by which an eye was
bruised, saw all objects, but especially white objects, glittering in
colours, even to an intolerable degree.
131.
Physicians give the name of "Chrupsia" to an affection of the sight,
occurring in typhoid maladies. In these cases the patients state that
they see the boundaries of objects coloured where light and dark meet.
A change probably takes place in the humours of the eye, through which
their achromatism is affected.
132.
In cases of milky cataract, a very turbid crystalline lens causes
the patient to see a red light. In a case of this kind, which was
treated by the application of electricity, the red light changed by
degrees to yellow, and at last to white, when the patient again began
to distinguish objects. These changes of themselves warranted the
conclusion that the turbid state of the lens was gradually approaching
the transparent state. We shall be enabled easily to trace this effect
to its source as soon as we become better acquainted with the physical
colours.
133.
If again it may be assumed that a jaundiced patient sees through
an actually yellow-coloured humour, we are at once referred to the
department of chemical colours, and it is thus evident that we can only
thoroughly investigate the chapter of pathological colours when we
have made ourselves acquainted with the whole range of the remaining
phenomena. What has been adduced may therefore suffice for the present,
till we resume the further consideration of this portion of our subject.
134.
In conclusion we may, however, at once advert to some peculiar states
or dispositions of the organ.
There are painters who, instead of rendering the colours of nature,
diffuse a general tone, a warm or cold hue, over the picture. In some,
again, a predilection for certain colours displays itself; in others a
want of feeling for harmony.
135.
Lastly, it is also worthy of remark, that savage nations, uneducated
people, and children have a great predilection for vivid colours;
that animals are excited to rage by certain colours; that people of
refinement avoid vivid colours in their dress and the objects that are
about them, and seem inclined to banish them altogether from their
presence.--Note I.
[1] It has been found necessary to follow the author's nomenclature
throughout--T.
[2] Non-perception of blue.
[3] It has not been thought necessary to copy the plates here referred
to.--T.
PART II.
PHYSICAL COLOURS.
136.
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