Goethe's Theory of ColoursGoethe, Johann Wolfgang von
Philosophy
Goethe's Theory of Colours
Goethe, Johann Wolfgang von
Color
In examining the process of the experiment just given, we find that
in the one case we have, to appearance, extended the white edge upon
the dark surface; in the other we have extended the dark edge upon
the white surface, supplanting one by the other, pushing one over
the other. We will now endeavour, step by step, to analyse these and
similar cases.
204.
If we cause the white disk to move, in appearance, entirely from its
place, which can be done effectually by prisms, it will be coloured
according to the direction in which it apparently moves, in conformity
with the above laws. If we look at the disk _a_[3] through a prism,
so that it appear moved to _b_, the outer edge will appear blue and
blue-red, according to the law of the figure B (fig. 1), the other
edge being yellow, and yellow-red, according to the law of the figure
C (fig. 1). For in the first case the white figure is, as it were,
extended over the dark boundary, and in the other case the dark
boundary is passed over the white figure. The same happens if the disk
is, to appearance, moved from _a_ to _c_, from _a_ to _d_, and so
throughout the circle.
205.
As it is with the simple effect, so it is with more complicated
appearances. If we look through a horizontal prism (_a b_[4]) at a
white disk placed at some distance behind it at _e_, the disk will
be raised to _f_, and coloured according to the above law. If we
remove this prism, and look through a vertical one (_c d_) at the same
disk, it will appear at _h_, and coloured according to the same law.
If we place the two prisms one upon the other, the disk will appear
displaced diagonally, in conformity with a general law of nature, and
will be coloured as before; that is, according to its movement in the
direction, _e.g._:[5]
206.
If we attentively examine these opposite coloured edges, we find that
they only appear in the direction of the apparent change of place.
A round figure leaves us in some degree uncertain as to this: a
quadrangular figure removes all doubt.
207.
The quadrangular figure _a_,[6] moved in the direction _a b_ or _a d_
exhibits no colour on the sides which are parallel with the direction
in which it moves: on the other hand, if moved in the direction _a
c_, parallel with its diagonal, all the edges of the figure appear
coloured.[7]
208.
Thus, a former position (203) is here confirmed; viz. to produce
colour, an object must be so displaced that the light edges be
apparently carried over a dark surface, the dark edges over a light
surface, the figure over its boundary, the boundary over the figure.
But if the rectilinear boundaries of a figure could be indefinitely
extended by refraction, so that figure and background might only pursue
their course next, but not over each other, no colour would appear, not
even if they were prolonged to infinity.
[1] Plate 2, fig. 1.
Public-domain text, read in full here on John Shaqi.
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