Gold and glory; or, Wild ways of other days, a tale of early American discoveryStebbing, Grace
History
Gold and glory; or, Wild ways of other days, a tale of early American discovery
Stebbing, Grace
Mexico -- History -- Conquest, 1519-1540 -- Fiction
And such impertinent presumption was certainly not to be encouraged
in an "obscure Genoese pilot." And so, for that while, after weary
waiting, and the weary hope deferred that maketh the heart sick,
Columbus and his splendid plans were dismissed. But this result was not
arrived at until four years after the months with which we are, for the
minute, more immediately concerned; and so to return to the thread of
our narrative, and to add yet further--and still the men of Saragossa
gathered into secret bands, discussing rather by tokens, than by words,
the unspeakable cruelties that were being committed in their midst, and
the proposed destruction of their arch-instigator, Arbues de Epila.
All was ripe at length for the fulfilment of the fatal plot; fatal,
alas, not only to the Inquisitor, but to his murderers also, and to
many and many another wholly innocent of the crime.
All day long Don Alonso, Don Miguel, Don James of Navarre, with the
rest of the conspirators, many of them with the noblest blood of Aragon
flowing in their veins, watched with a fierce, hungry eagerness for the
moment in which to strike the blow. The hours wore on, the evening
came. In low-breathed murmurs one and another rekindled their own
fury, or revived the flagging courage of a companion, by recalling the
generosity of character, the blameless life, of some friend or relative
snatched out of life by this barbarous persecution.
Night fell over the city of Saragossa, and gradually the conspirators
stealthily, silently drew round about the walls of the cathedral. It
was approaching midnight. The fierce persecutor of his fellow-men was
on his knees before the great altar of the cathedral, on his knees
before Him who has said, "I will have mercy, and not sacrifice."
Arbues knelt there in the flood of brightness from the lighted altar,
and his enemies gathered up around him in the gloomy shadows of the
surrounding darkness. Suddenly there was a muffled shout--a cry. He
raised his head;--too late,--escape was impossible. Already the arm and
hand were streaming with blood that had signed so many warrants for the
torture and death of others. Then came the fatal blow.
[Illustration: Arbues knelt there in a flood of brightness from the
lighted altar. Suddenly there was a muffled shout--a cry. He raised his
head;--too late,--escape was impossible.]
A dagger shone, gleaming red with life-blood, in the light, from the
back of the victim's neck, in the flesh of which its point was firmly
embedded.
Who gave that final thrust none knew but the giver. Only Don Miguel,
who stood by in the fierce crush and _melée_, heard the words hissed
out as the deadly weapon was darted forth:
"So dies the fiend, Arbues de Epila!"
And he, too, cast a hasty glance beside him, as Montoro de Diego had
done when those words were uttered behind his ear in the Auto da Fé
crowd some weeks ago.
Public-domain text, read in full here on John Shaqi.
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