GOLD
PLAYS BY
EUGENE G. O’NEILL
THE MOON OF THE CARIBBEES AND SIX OTHER PLAYS OF THE SEA
BEYOND THE HORIZON
THE STRAW
GOLD
GOLD
A PLAY IN FOUR ACTS
BY
EUGENE G. O’NEILL
[Illustration: colophon]
BONI AND LIVERIGHT
PUBLISHERS NEW YORK
GOLD
COPYRIGHT, 1920, BY
BONI & LIVERIGHT, INC.
_Printed in the United States of America_
SCENES OF ACTS
ACT ONE--A barren coral island on the fringe of the Malay
archipelago--Noon.
ACT TWO--Interior of a boat shed on the wharf of the Bartlett place
on the California coast. An afternoon six months later.
ACT THREE--Exterior of the Bartlett house--dawn of the following
morning.
ACT FOUR--Bartlett’s “cabin”--his lookout post--at the top of the
house. A night one year later.
_Time of the play--About the year 1900_
ACT I
CHARACTERS
CAPTAIN ISAIAH BARTLETT, _of the whaling ship, Triton_
SILAS HORNE, _boatswain of the Triton_
BEN CATES }
JIMMY KANAKA, _an Islander_ } _of the Triton’s crew_
BUTLER, _cook of the Triton_
ABEL, _the ship’s boy_
SARAH ALLEN BARTLETT, _the captain’s wife_
SUE, _their daughter_
NAT, _their son_
DANIEL DREW, _officer of a freight steamer_
DOCTOR BERRY
ACT ONE
SCENE--_A small, barren coral island on the southern fringe of the
Malay Archipelago. The coral sand, blazing white under the full
glare of the sun, lifts in the right foreground to a long hummuck a
few feet above sea-level. A stunted coco palm rises from the center
of this elevation, its bunch of scraggly leaves drooping
motionlessly, casting a small circular patch of shadow directly
beneath on the ground about the trunk. About a hundred yards in the
distance the lagoon is seen, its vivid blue contrasting with the
white coral beach which borders its circular outline. The far
horizon to seaward is marked by a broad band of purplish haze which
separates the bright blue of the water from the metallic grey-blue
of the sky. The island bakes. The intensity of the sun’s rays is
flung back skyward in a quivering mist of heat-waves which distorts
the outlines of things, giving the visible world an intangible
eerie quality, as if it were floating submerged in some colorless
molten fluid._
Public-domain text, read in full here on John Shaqi.
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