Transcriber’s Notes Misspelled words have been corrected. These are identified by a ♦ symbol in the text. The change description is shown immediately below the paragraph or section in which the correction appears. Details and other notes may be found at the end of this text. GOOD-BYE TO ALL THAT BY THE SAME AUTHOR POEMS (1914–1927) _William Heinemann_ POEMS (1929) _The Seizin Press_ MY HEAD, MY HEAD _Marlin Seeker_ LAWRENCE AND THE ARABS _Jonathan Cape_ LARS PORSENAZ OR THE FUTURE OF SWEARING _Kegan Paul_ THE SHOUT _Elkin, Mathews and Marrot_ [Illustration: ROBERT GRAVES] GOOD-BYE TO ALL THAT An Autobiography BY ROBERT GRAVES [Illustration: publisher logo] JONATHAN CAPE THIRTY BEDFORD SQUARE LONDON FIRST PUBLISHED 1929 SECOND IMPRESSION NOVEMBER 1929 PRINTED IN GREAT BRITAIN BY J. AND J. GRAY EDINBURGH MY DEDICATION IS AN EPILOGUE LIST OF ILLUSTRATIONS Robert Graves, 1929 _Frontispiece_ Cuinchy Brick-stacks seen from a British trench on the Givenchy canal-bank. The white placarded brick-stack is in the British support line; the ones beyond are held by the Germans. The village of Auchy is seen in the distance. (_By courtesy of the Imperial War Museum._) _To face page_ 152 Trench Map showing the Cambrin-Cuinchy-Vermelles Trench Sector in the summer of 1915. Each square-side measures 500 yards and is ticked off into 50-yard units. Only the German trench-system is shown in detail; a broken pencil-line marks the approximate course of the British front trench. The minecraters appear as stars in No Man’s Land. The brick-stacks in the German line appear as minute squares; those held by the British are not marked. The intended line of advance of the 19th Brigade on September 25th is shown in pencil on this map, which is the one that I carried on that day 190 Maps. (_Reproduced by the courtesy of the Imperial War Museum._) Somme Trench Map—The Fricourt Sector, 1916. This map fits against the map facing page 262 246 Somme Trench Map—Mametz Wood and High Wood, 1916. This map fits against the map facing page 246 _To face page_ 262 Robert Graves, from a pastel by Eric Kennington 296