Good-bye to all that : $b An autobiographyGraves, Robert
History
Good-bye to all that : $b An autobiography
Graves, Robert
Authors, English -- 20th century -- Biography; Graves, Robert, 1895-1985; World War, 1914-1918 -- Personal narratives, British
‘I say, Jones, how do you get to Farncombe from Weekites? One, two,
three....’
I had only issued directions as far as Bridge before being counted
out.
‘Three questions. One miss. You’re allowed three misses out of ten.’
‘Where is Charterhouse Magazine? One, two, three, four....’
‘Do you mean _The Carthusian_ office?’ I asked.
Everyone laughed.
‘Four questions. Two misses. I say, Robinson, he’s answered far too
many. We’ll set him a couple of stingers.’
Much whispering.
‘What is the age of the horse that rolls Under Green? One, two,
three....’
‘Six!’ I said, at a venture.
‘Wrong; thirty-eight. Six questions. Three misses! Think yourself
lucky you weren’t asked its pedigree.’
‘What are canoeing colours? One, two, thr ...’
‘There aren’t any!’
‘You’ll get cocked-up for festivity; but you can count it. Seven
questions. Three misses. Jones?’
‘Yes!’
‘What was the name of the girl to whom rumour stated that last year’s
football secretary was violently attached? One, two, three, four....’
‘Daisy!’ (It sounded a likely name.)
‘Oh really! Well, I happen to know last year’s football secretary;
and he’ll simply kill you for spreading scandal. You’re wrong anyhow.
Eight questions. Four misses!’
‘You’ll come to my “cube” at seven to-morrow morning. See? Good
night!’
Here he waved his hair-brush over the candle, and a colossal shadow
appeared on the ceiling.
The Poetry Society died about this time—and this is how it died. Two
of its sixth-form members came to a meeting and each read a rather
dull and formal poem about love and nature; none of us paid much
attention to them. But the following week they were published in _The
Carthusian_, and soon every one was pointing and giggling. Both poems,
which were signed with pseudonyms, were acrostics, the initial letters
spelling out a ‘case.’ ‘Case’ meant ‘romance,’ a formal coupling of two
boys’ names, with the name of the elder boy first. In these two cases
both the first names mentioned were those of bloods. It was a foolish
act of aggression in the feud between sixth form and the bloods. But
nothing much would have come of it had not another of the sixth-form
members of the Poetry Society been in love with one of the smaller
boys whose names appeared in the acrostics. In rage and jealousy he
went to the headmaster and called his attention to the acrostic—which
otherwise neither he nor any other of the masters would have noticed.
He pretended that he did not know the authors; but though he had not
been at the particular meeting where the poems were read, he could
easily have guessed them from the styles. Before things had taken this
turn I had incautiously told someone who the authors were; so I was
now dragged into the row as a witness against them. The headmaster
took a very serious view of the case. The two poets were deprived of
their monitorial privileges; the editor of _The Carthusian_, who,
Public-domain text, read in full here on John Shaqi.
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