Family -- Juvenile fiction; Orphans -- Juvenile fiction
"All women have needlework in 'em if they please," she said; "it's born
in 'em. You can no more be a woman without needlework than you can be
a man without mischief--it's born in you, child, the same as bed-making
is, and cleaning stoves, and washing floors, and minding babies, and
coddling husbands, and bearing all the smaller worries of life--they
are all born in a woman, Alison, and she can no more escape 'em than
she can escape wearing the wedding-ring when she goes to church to be
wed."
"Oh, the wedding-ring! that's different," said Alison, looking at her
pretty slender finger as she spoke. "Oh, Grannie, dear Grannie, my
heart's that heavy I think it 'll break! I can't see the
feather-stitching, I can't really." Her eyes brimmed up with tears.
"Grannie, don't ask me to do the fine needlework to-day."
Grannie's face turned pale.
"I wouldn't ef I could help it," she said. "Jest to please me,
darling, take a little lesson; you will be glad bimeby, you really
will. Why, this stitch is in the family, and it 'ud be 'a burning
shame for it to go out. Dear, dearie me, Alison, it aint a small thing
that could make me cry, but I'd cry ef this beautiful stitch, wot come
down from the Simpsons to the Phippses, and from the Phippses to the
Reeds, is lost. You must learn it ef you want to keep me cheerful,
Ally dear."
"But I thought I knew it, Grannie," said the girl.
"Not to say perfect, love--the loop don't go right with you, and the
loop's the p'int. Ef you don't draw that loop up clever and tight, you
don't get the quilting, and the quilting's the feature that none of the
workwomen in West London can master. Now, see yere, look at me. I'll
do a bit, and you watch."
Grannie took up the morsel of cambric; she began the curious movements
of the wrist and hand, the intricate, involved contortions of the
thread. The magic loop made its appearance; the quilting stood out in
richness and majesty on the piece of cambric. Grannie made three or
four perfect stitches in an incredibly short space of time. She then
put the cambric into her granddaughter's hand.
"Now, child," she said, "show me what you can do."
Alison yawned slightly, and took up the work without any enthusiasm.
She made the first correct mystic passage with needle and thread; when
she came to the loop she failed to go right, and the effect was bungled
and incomplete.
"Not that way; for mercy's sake, don't twist the thread like that!"
called Grannie, in an agony. "Give it to me; I'll show yer."
Public-domain text, read in full here on John Shaqi.
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