Good men and true, and Hit the line hardRhodes, Eugene Manlove
General
Good men and true, and Hit the line hard
Rhodes, Eugene Manlove
Cowboys -- Fiction; Frontier and pioneer life -- Fiction; New Mexico -- Fiction; Western stories
“He spoke twice--once in each letter,” said George Aughinbaugh, “of
learning to use the typewriter. He gave a speed sentence that he had
made up, containing the entire alphabet. These are similar sentences,
used by nearly every one who learns to typewrite. Jeff was familiar
with them. He practised the first one by the hour. I gave him the
second one the last night he was here. He is calling on us to come to
his help; he is warning us to be careful, that one unconsidered move on
our part, ‘a quick move,’ will be dangerous to him. Taken in connection
with the other allusions in his letter, and to things that I know
outside of his letter, it probably means that such a quick move might
be fatal to him. He is imprisoned--not legally; secretly--and in great
danger. Of course, parts of his letter are only padding to introduce
and join plausibly the vital allusions so that his captors would allow
the letter to go. The allusions are not consecutive. When he speaks
of----”
“Hold on, old man; you’re getting all balled up again,” said Pringle.
“Suppose, first of all, you tell us, as clearly as you can, exactly
what you understand him to mean, just as if he had written it to you
direct, without any parables. Then you can explain to us how you got at
it, afterwards.”
George walked the room, rearranged his thoughts and, in the process,
mastered his agitation.
Finally he faced the three friends and said: “He is in prison, in
Juarez, the victim of a conspiracy. He is in utmost danger; he is
closely guarded; the persons involved have such powerful reasons for
holding him that they would kill him rather than allow him to be
rescued. What we do must be done with the greatest caution; his guards
must not have the slightest suspicion that a rescue is attempted, or
planned, or possible, till it is carried out. In addition to this he
tells us that we are to communicate with him by means of the personal
columns of the El Paso papers----”
“I got that,” said Pringle, “but that is about all I did get. Of
course, we all figured it out that we were to come to you for
instructions, and that there was something about a typewriter we
wanted to look into. That was plain enough. There, I’m talking with my
mouth. Go on!”
“And, in his great danger and distress, he sends you--to Mr. Pringle
first, and then to all of you--a last and tenderest farewell, and the
strong assurance of his faith that you will do for him all that men can
do.”
“Good God!” exclaimed Leo. “And was there no hint of who it was that
had done this?”
“There was!” said Aughinbaugh, with sparkling eyes. “It was two
well-known, wealthy and influential El Paso men--the Honorable S. S.
Thorpe and Sam Patterson.”
“Show me!” said Pringle--“though I begin to see.”
“Half the letter is taken up by comment on the play of Julius Cæsar,
which he and I had been reading together,” said George. “He tells us
plainly, over and over, in different words, to look in it for meanings
beneath the surface. You remember that?”
Public-domain text, read in full here on John Shaqi.
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