Apocalyptic fiction; England -- Fiction; Epidemics -- Fiction; Science fiction
She came at last to a shop where the shutters were still intact, but
the door hung drunkenly on one hinge. A little fearfully she peered in
and discovered that fortune had been kind to her. The shop had belonged
to a tobacconist, and the contents were almost untouched--there had
been more crying needs to satisfy in the households of raiders than
the desire for tobacco.
It was very dark inside, and for some seconds Millie stared into what
seemed absolute blackness, but as her eyes became accustomed to the
gloom, she saw the interior begin to take outline, and when she moved
a couple of steps into the place and allowed more light to come in
through the doorway, various tins, boxes and packets in the shelves
behind the counter were faintly distinguishable.
Once inside, the spirit of plunder took hold of her, and she began
to take down boxes of cigars and cigarettes and packets of tobacco,
piling them up in a heap on the counter. But she had no basket in which
to carry the accumulation she was making, and she was feeling under
the counter for some box into which to put her haul, when the shadows
round her deepened again into almost absolute darkness. Cautiously
she peered up over the counter and saw the silhouette of a woman
standing in the doorway.
For ten breathless seconds Millie hung motionless, her eyes fixed on
the apparition. She was very civilized still, and she was suddenly
conscious of committing a crime. She feared horribly lest the figure
in the doorway might discover Millicent Gosling stealing tobacco. But
the intruder, after recognizing the nature of the shop's contents,
moved away with a sigh. Millie heard her dragging footsteps shuffle
past the window.
That scare decided her movements. She hastily looped up the front of
her skirt, bundled into it as much plunder as she could conveniently
carry, and made her way out into the street again.
She was nearly at the corner of Wisteria Grove before she was molested,
and then an elderly woman came suddenly out of a doorway and laid a
hand on Millie's arm.
"Whacher got?" asked the woman savagely.
Millie, shrinking and terrified, displayed her plunder.
"Cigars," muttered the woman. "Whacher want with cigars?" She opened
the boxes and stirred up the contents of Millie's improvised bundle
in an eager search for something to eat. "Gawd's truth! yer must be
crazy, yer thievin' little slut!" she grumbled, and pushed the girl
fiercely from her.
Millie made good her escape, dropping a box of cigars in her
flight. Her one thought now was the fear of meeting a policeman. In
three minutes she was beating fiercely on the door of the little
house in Wisteria Grove, and, disregarding her father's exclamations
of pleased surprise when he let her in, she tumbled in a heap on to
the mat in the passage.
Gosling's first declaration of male superiority had been splendidly
successful.
4
Public-domain text, read in full here on John Shaqi.
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