Apocalyptic fiction; England -- Fiction; Epidemics -- Fiction; Science fiction
Aunt May appeared after a long interval--a thin, brown-faced woman of
forty or so. She wore a very short skirt, a man's jacket and an old
deerstalker hat, and she carried a pitchfork. She must have brought
the pitchfork as an emblem of authority, but she did not handle it as
the other woman had handled her broomstick. The murderous pitchfork
appeared little more deadly in her keeping than does the mace in
the House of Commons, but as an emblem the pitchfork was infinitely
more effective.
Aunt May's questions were pertinent and searching, and after a few
brief explanations had been offered to her she drove off the young
woman, her niece, whom she addressed as "Allie," to perform the many
duties which were her share of the day's work.
Allie went, laughing.
"You can sleep here to-night," announced Aunt May. "We shall have
a meal all together soon after sunset. Till then you can talk to my
sister, who's an invalid. She's always eager for news."
She took charge of them as if she were the matron of a workhouse
receiving new inmates.
"You'd better bring your truck into the garden," she said, "or Alice
will be turning everything over. Inquisitive brute!" she added,
snapping her fingers at the cow, who had returned, and stood within
a few feet of them, eyeing the Goslings with a slow, dull wonder--a
mournfully sleepy beast whose furiously wakeful tail seemed anxious
to rouse its owner out of her torpor.
The invalid sister sat by the window of a small room that faced
west and overlooked the luxuriance of what was still recognizably
a flower-garden.
"My sister, Mrs Pollard," said Aunt May sharply, and then addressing
the woman who sat huddled in shawls by the window, she added: "Three
more strays, Fanny--from London, Allie tells me." She went out quickly,
closing the door with a vigour which indicated little tolerance for
invalid nerves.
Mrs Pollard stretched out a delicate white hand. "Please come and sit
near me," she said, "and tell me about London. It is so long since
I have had any news from there. Perhaps you might be able----" she
broke off, and looked at the three strangers with a certain pathetic
eagerness.
"I'll take me bonnet off, ma'am, if you'll excuse me," remarked Mrs
Gosling. She felt at home once more within the delightful shelter of
a house, although slightly overawed by the aspect of the room and
its occupant. About both there was an air of that class dignity to
which Mrs Gosling knew she could never attain. "I don't know when
I've felt the 'eat as I 'ave to-day," she remarked politely.
"Has it been hot?" asked Mrs Pollard. "To me the days all seem so much
alike. I want you to tell me, were there any young men in London when
you left? You haven't seen any young man who at all resembles this
photograph, have you?"
Mrs Gosling stared at the silver-framed photograph which Mrs Pollard
took from the table at her side, stared and shook her head.
Public-domain text, read in full here on John Shaqi.
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