Apocalyptic fiction; England -- Fiction; Epidemics -- Fiction; Science fiction
"We haven't seen a single man of any kind for two months," said
Blanche, "not a single one. Have we, Millie?"
Millie, sitting rather stiffly on her chair, shook her head. "It's
terrible," she said. "I'm sure I don't know where they can have all
gone to."
Mrs Pollard did not reply for a moment. She looked steadfastly out
of the window, and tears, which she made no attempt to restrain,
chased each other in little jerks down her smooth pale cheeks.
Mrs Gosling pinched her mouth into an expression of suffering sympathy,
and shook her head at her daughters to enforce silence. Was she not,
also, a widow?
After a short pause, Mrs Pollard fumbled in her lap and discovered
a black-bordered pocket-handkerchief--a reminiscence, doubtless, of
some earlier bereavement. Her expression had been in no way distorted
as she wept, and after the tears had been wiped away no trace of them
disfigured her delicate face. Her voice was still calm and sweet as
she said:
"I am very foolish to go on hoping. I loved too much, and this trial
has been sent to teach me that all love but One is vain, that I must
not set my heart upon things of the earth. And yet I go on hoping
that my poor boy was not cut off in Sin."
"Dear, dear!" murmured Mrs Gosling. "You musn't take it to 'eart too
much, ma'am. Boys will be a little wild and no doubt our 'eavenly
Father will make excuses."
Mrs Pollard shook her head. "If it had only been a little wildness,"
she said, "I should have hope. He is, indeed, just and merciful, slow
to anger and of great kindness, but my poor Alfred became tainted
with the terrible doctrines of Rome. It has been the greatest grief
of my life, and I have known much pain...." And again the tears slowly
welled up and fell silently down that smooth, unchanging face.
Mrs Gosling sniffed sympathetically. The two girls glanced at one
another with slightly raised eyebrows and Blanche almost invisibly
shrugged her shoulders.
The warm evening light threw the waxen-faced, white-shawled figure
of the woman in the window into high relief. Her look of ecstatic
resignation was that of some wonderful mediæval saint returned from
the age of vision and miracle to a recently purified earth in which
the old ideas of saintship had again become possible. Her influence
was upon the room in which she sat. The sounds of the world outside,
the evening chorus of wild life, the familiar noise of the farm,
seemed to blend into a remote music of prayer--"Kyrie Eleison! Christe
Eleison!" Within was a great stillness, as of a thin and bloodless
purity; the long continuance of a single thought found some echo in
every material object. While the silence lasted everything in that
room was responsive to this single keynote of anæmic virtue.
Public-domain text, read in full here on John Shaqi.
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