_My Muse, that whilom wail'd those Briton kings,
Who unto her in vision did appear,
Craves leave to strengthen her night-weathered wings
In the warm sunshine of your golden Clere [clear];
Where she, fair Lady, tuning her chaste lays
Of England's Empress to her hymnic string
For your affect, to hear that virgins praise,
Makes choice of your chaste self to hear her sing,
Whose royal worth, (true virtue's paragon,)
Here made me dare to engrave your worthy name.
In hope that unto you the same alone
Will so excuse me of presumptuous blame,
That graceful entertain my Muse may find
And even bear such grace in thankful mind_.
The sonnet to the Earl of Nottingham, the famous admiral and quondam
rival of Sir Walter Raleigh, is more interesting:--
_As once that dove (true honour's aged Lord),
Hovering with wearied wings about your ark,
When Cadiz towers did fall beneath your sword,
To rest herself did single out that bark,
So my meek Muse,--from all that conquering rout,
Conducted through the sea's wild wilderness
By your great self, to grave their names about
The Iberian pillars of Jove's Hercules,--
Most humbly craves your lordly lion's aid
'Gainst monster envy, while she tells her story
Of Britain's princes, and that royall maid
In whose chaste hymn her Clio sings your glory,
Which if, great Lord, you grant, my Muse shall frame
Mirrors most worthy your renownèd name_.
But apparently the "great Lord" would not grant permission, and so the
sonnet had to be rigorously suppressed.
Public-domain text, read in full here on John Shaqi.
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