The interior of the Guildhall was “exceeding magnifical.” There was a canopy of carved gilt, with draperies of crimson velvet and gold fringe and tassels, its interior, being also of crimson velvet, was relieved by ornaments in silver and a radiated oval of white satin with golden rays. The back was fluted in white satin, enriched with the Royal Arms in burnished gold. The State chair was covered with crimson velvet with the Royal Arms and Crown, with the rose, thistle and shamrock tastefully interwoven. At each end of the Hall, the walls were covered with immense plates of looking-glass. The window at the eastern end of the Hall, above the throne, having been removed, a gigantic wooden framework was substituted, on which was erected a gorgeous piece of gas illumination. Above the mouldings of the windows, and over the City Arms, waved the Royal Standard and the Union Jack. Above was the Royal cypher, V.R., in very large characters, surmounted by the appropriate word “Welcome,” the whole being encircled by an immense wreath of laurels, which terminated, at the lower extremity of the framework, with the rose, thistle and shamrock. Over the clock at the western end, and reaching nearly the whole breadth of the Hall, with Gog and Magog on the right and left, was placed an immense stack of armour, with upwards of 30 furled flags as an appropriate background. Immediately above was the magnificently radiated star of the Order of the Garter, surrounded by crimson drapery, and the scroll “God save the Queen” entirely composed of cut glass, which, when lit up, seemed, literally, one continued blaze of diamonds. The whole was surmounted by the imperial crown and wreaths of laurel, intermingled with the rose, thistle and shamrock, covering the entire outline of the window. Where, formerly, was the musicians’ gallery, on the opposite side, was occupied by three stacks of armour; complete coats of mail were, likewise, suspended in other parts of the Hall; two knights in complete armour guarded the entrance of the Hall and Council Chamber, which latter was fitted up for the Queen’s reception room, and hung throughout with crimson fluted cloth, finished with gold mouldings and festoons of red and white flowers. Upon a platform stood a chair of state, splendidly gilt and covered with crimson velvet, and there was no other chair nor seat of any kind in the apartment. The Queen’s retiring-room was the Aldermen’s Court, and was superbly decorated, having a magnificent toilet table covered with white satin, embroidered with the initials V.R., a crown and wreath in gold, and looped with gold silk rope and tassels.