[Illustration: 78. ALENÇON CATHEDRAL. WEST FRONT (FIFTEENTH CENTURY)]
"The qualities of the architecture of the decadence must be sought
not in the construction, but in the decoration of churches; here we
may freely admire the happy detail and patient execution which mark
the work of carvers and limners during the last two centuries of the
Middle Ages."[24]
[24] Anthyme St. Paul, _Histoire Monumentale de la France_; Paris,
1884.
Gothic architecture put forth its expansive force at the close of the
twelfth and during the thirteenth century, not only throughout Western
Europe, but even in Eastern countries, where monuments still survive
of the highest interest to us as the work of monkish architects who
came from France in the wake of the first Crusaders. The modifications
and enlargements of famous buildings in the Holy Land towards the
close of the twelfth century show evident traces of their influence,
which is further manifested in certain structures of Rhodes and
Cyprus from the thirteenth to the fifteenth century, in which Western
and more especially French types have served as models.
[Illustration: 79. FAÇADE OF THE CATHEDRAL OF ST. SOPHIA AT NICOSIA
(ISLAND OF CYPRUS)]
"It will hardly be disputed that the prolonged sojourn of the
Crusaders in the Levant, the teachings of their architects, and
the contemplation of their works, were considerable factors in the
development of Arab art. There was a reaction of the West upon the
East; sometimes indeed such a direct influence is perceptible as to
astound and perplex the observer. To understand the part played by the
Crusaders in the East, and to appreciate its Western and independent
character, we must cast a rapid glance at the monuments constructed by
them in Cyprus and Rhodes after their expulsion from Syria. We shall
find the movement which originated in the twelfth century progressing
throughout the following centuries on the same lines; in other words,
drawing a continuous inspiration from France.[25]
[25] Melchior de Vogüé, _Les Églises de la Terre Sainte_.
Public-domain text, read in full here on John Shaqi.
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