Gowrie; or, the King's Plot.James, G. P. R. (George Payne Rainsford)
General
Gowrie; or, the King's Plot.
James, G. P. R. (George Payne Rainsford)
Gowrie Conspiracy, 1600 -- Fiction
In the midst of such fits the body will sometimes renew the struggle,
and strive to regain its power, especially if anything affects it
strongly. The earl seemed to feel the oppressive closeness of the
room. He rose, went to the window near the bed, pulled down the
tapestry, and threw open the rattling small-paned casement. It looked
to the east; and the bright moon, within a few days of the full,
peeped in from above the Alps, pouring a long line of splendour over
the floor. He knew not, indeed, that he had moved. The external eye
might see the casement and the moon, and the faint line of mountains
flooded with silver light; but the mind saw not. It had other visions;
and leaning his arms upon the bar on which played the part of the
casement that opened, he remained buried in the same reverie. Its tone
was melancholy--not exactly sad, but of that high grave stern cast
which seems to rob the things of earth of all their unreal brightness,
stripping off the gilding and the gauds, and leaving the hard leaden
forms alone, while another light than that of the world's day spreads
around, as if streaming from a higher sphere, and showing all the
emptiness and the nakedness of the illusions of the earth.
How long he had remained thus I know not, and he himself did not know,
but something--what he could never tell--made him suddenly turn round.
How shall I tell what followed? Was it an illusion of the fancy? Was
it a dream? Was it a reality?--Who shall say? But there before him was
a face and form well known, though never seen in life. It was that of
a tall dark pale man, with traces of sickness on his face, a bloody
dagger in his hand, and marks of gore upon his arm. His portrait hung
in the earl's palace at Perth, though with a more glowing cheek, and
in unspotted robes. But there he stood before him now, as if the grave
had given up its dead, his father's father, the slayer of the hapless
Rizzio. There was the same haggard look, the same ashy cheek, the same
rolling eye with which he had sunk into a seat in the presence of his
queen when the dreadful deed was done, and the full horror of the act
was poured upon his conscience. There the same gasping movement of the
lips with which he called for water to allay the burning thirst which
was never to be quenched but by the cold cup of death. A pale hazy
light spread around him, and he seemed to raise his hand with a
menacing gesture. He spoke, or Gowrie thought he spoke, in tones low
and stern, "Shall the blood of Douglas and of Ruthven mingle once
more?" he said. "Shall the child of him who denied all participation
in the act he prompted, and left his betrayed friend to perish in a
distant land, unite her fate to the heir of him who was destroyed!
Beware, boy, beware! Upon the children's children the blood of the
slain shall call for vengeance; and the unborn of the dark hour shall
seek a fatal retribution!"
Public-domain text, read in full here on John Shaqi.
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