A little later she strolled back to the Sphinx's tent, only to find that amiable riddle besieged by an impatient throng of girls who were eager to spend their money for the mere sake of hearing the Sphinx's ridiculous answers to their questions, and incidentally to try if possible to discover her identity. Emma had succeeded in changing her voice so completely that the far-away, almost wailing tones of the Egyptian wonder had little in common with her usual drawl. She and her faithful Arab had thoroughly enjoyed the attempts of the various girls to discover who was inside the great head and voluminous drapery. "I would never have known who was in there if Emma herself had not told me. I don't believe any one outside the club knows either," was Grace's conclusion as she returned to her own booth. But in this she was mistaken. CHAPTER X THE ALICE IN WONDERLAND CIRCUS The Alice in Wonderland Circus went down in the annals of Overton as the most original "stunt" ever attempted by any particular class. 19-- bore its honors modestly, but was inordinately proud of the achievement of the Semper Fidelis Club. The animals' costumes had been designed by Ruth and Elfreda. After much poring over half a dozen editions of "Alice," the original illustrations by "John Tenniel" had appealed most strongly to them, and these had been copied as faithfully as possible in style and color. The only important dry goods store in Overton had been ransacked for colored cambrics, denim and khaki, and under the clever fingers of Ruth, who seemed to know the exact shape and proportion of every one of the Wonderland "animals," the Dormouse, the Griffon and the Rabbit had been fitted with "skins." Elfreda had skilfully designed and made the Mock Turtle's huge shell and flappers, the Griffon's wings, not to mention ears for at least half the circus, and Gertrude Wells, whose clever posters were always in demand, obligingly painted bars, dots, stripes or whatever touch was needed to make the particular animal a triumph of realism. The King and Queen looked as though they might have stepped from the pages of the book, and the Duchess, as played by Anne, was a masterpiece of acting. The circus opened with a grand march of the animals. Then followed the "Mad Hatter Quadrille," called by the Mad Hatter and danced by the March Hare, the Dormouse, the Rabbit, the Griffon, the Mock Turtle, the Dodo, the Duchess and Alice. Then the Mad Hatter stepped to the center of the ring, flourished his high hat, bowed profoundly, and made a funny little speech about the accomplishments of the animals, each one walking solemnly into the middle of the ring as his name was called and clumsily saluting the audience.