Graham's Magazine, Vol. XL, No. 1, January 1852Various
General
Graham's Magazine, Vol. XL, No. 1, January 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Why Do I Weep for Thee? Words by George Linley. Music by 106
W. V. Wallace,
Love’s Messenger. Music by Matthias Keller. Words from 212
the German,
Oh Share My Cottage. Composed by R. C. Shrival, 225
Stars of the Summer Night. Words by Longfellow. Music by 227
H. Kleber,
Sweet Sunny Isle. Composed by John H. Taylor, 337
The Shepherd’s Song. Composed by John Roland, 451
Hour of Fond Delight. Composed by Alexander Lee, 562
* * * * *
[Illustration: THE PET FAWN.
Engraved Expressly for Graham’s Magazine by F. Halpin]
* * * * *
GRAHAM’S MAGAZINE.
Vol. XL. PHILADELPHIA, JANUARY, 1852. No. 1.
* * * * *
A LIFE OF VICISSITUDES.
BY G. P. R. JAMES, ESQ.
HOW I CAME TO HAVE IT.
I was one time traveling in France. I was a young man without
object—without occupation. Literature was the last thing in my
thoughts—indeed I believe it never would have entered into them, but
for a word or two of encouragement from an American gentleman, most dear
to me after a lapse of five-and-twenty years, most high in my esteem as
a man, and in my admiration as an author. He gave the first impulse to
my mind in a certain direction. His opinion was confirmed by another,
equally dear, and equally admired by us both, and I became in
consequence of an accidental meeting in a remote city of France, what I
am, and what I am proud to be—a literary man.
It was some time after this accidental meeting that I was traveling in
another Department, as they call it now-a-days, or Province as they
called it long ago, when I stopped at an inn or hotel, God bless the
mark!—in the famous city of Rennes, the capital of Brittany. The town
is a fine old quiet town, which looks as if a good deal of sleep had
been the portion of the inhabitants since the revolution; but
nevertheless, it has a great number of pleasant people in it, a great
number of agreeable social parties, much elegance and grace in its
higher circles, and a numerous collection of beautiful faces and
forms—for all of which I am devoutly thankful, as in duty bound.
Public-domain text, read in full here on John Shaqi.
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