Graham's Magazine, Vol. XL, No. 4, April 1852Various
General
Graham's Magazine, Vol. XL, No. 4, April 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Chrr-oo-uh; chrr-oo-uh; chrr-oo-eh-uh; oo-ugh, oo-ugh; chrr-oo-uh—A
white pigeon stood upon the lowest branch, heavy with foliage, of a
noble oak, planted with creation, and arched his neck, and drooped his
wings, and turned round and round, calling to his mate. Chrr-oo-uh;
chrr-oo-uh; chrr-oo-eh-uh; oo-ugh; oo-ugh; chrr-oo-uh—And the white
pigeon looked out upon the sea, which rolled inward with its new voice,
deep and hoarse, as it rolls now, and broke softly upon the glittering
strand, just beneath his feet; and back to the wooded mountains, which
showed blue and misty through the air, capped with silvery clouds; and
beneath the arms of the forest trees, where the land rose gently from
the shore, carpeted with green and gold, and all colors of the sun woven
into flowers. Chrr-oo-uh; chrr-oo-uh; chrr-oo-eh-uh; oo-ugh; oo-ugh;
chrr-oo-uh—calling to his mate.
SECTION III.
From a deep, embowered grot—half-hidden within a grove of oranges, and
trellised with the woodbine and the grape, clustering—came a sweet
voice, singing; not with the musical cadence and alliteration, and
returning rhyme of later days, when intellect refined to weaken, but
with the promptings of the soul, gushing, unmeasured, finding speech as
it might.
“Call, call to your mate, happy bird, and she shall call to you again;
but where is he who should call to me, in this day of joy? Erix, my
Erix, rising like the sun in his strength, with broad shoulders, and a
brow moulded by God! And the glory of his head, brighter than the beams
of the morning; those curls which I, with merry fingers, have so often
twisted, until they sprang from me with life and laughter, and clung
about his neck, kissingly—why do they not dance before me, gladdening
my sight? And those arms, like twisted vines, which hold and give every
happiness—why are they not here to receive me? And those lips, which
are so used to praise me, until I wonder at my own comeliness, and lose
my breath in their thieving—why are they not here to bless me, with
their music so subduing? And those eyes, so large and deep, those wells
of passion, in which I live a double being, in which I see my own
blushing—why are they not here, to kindle and to burn? Oh! Erix, my
Erix, as flowers love the earth, as the earth loves the sun, as the sun
loves its Maker, so is my love for thee, most beautiful and most
excellent!”
SECTION IV.
Public-domain text, read in full here on John Shaqi.
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