Graham's Magazine, Vol. XL, No. 4, April 1852Various
General
Graham's Magazine, Vol. XL, No. 4, April 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
They skirt the wood, and narrowly inspect the dewy grass, to find new
foot-prints of beast or heavy bird, seeking, with returning light, their
accustomed food. No fairy ring, no shape of naiad or of dryad, no gnome,
no sprite, met their pure vision, to turn them from their way; for not
yet had the mind of man built up a superstition unto itself, and peopled
the clefts of the earth, the water, and the air, giving to nothingness
forms innumerable. Truth was too near and palpable, to be lost in
imagination; to be moulded and cast anew, so changed as not to know
itself; and poetry, the juggler and soul’s cheat, lay hid in matter,
where God placed it, to be drawn thence for other purposes than those of
error. It was not until man forgot his origin, that he sought out a new
creator, even Beauty, the prime element in all God’s works, and so
wrought with it, as to give strange life to all that is, and is not.
The wily hunters, skilled in their life’s trade, turn on every side,
observe the lower boughs, fresh cropped, imitate the call of birds, the
cry of deer, peer through the thick underwood which stood here and there
in clumps, and plunged into the forest upon a trail which promised
success.
SECTION V.
The sylva before the flood! Huge, aspiring, with arms reaching outward
many a rood, each monarch stood; the traveler and man of science, he
whose name now fills the world, never found, in his many rounds in
search of knowledge, even in southern climes, such offspring of earth,
air, water, and the sun; and Australia, with its wondrous herbage,
sometimes cloud-capped, stand dwarfed and small to the life with which
God, in his first joy, clothed his work. The poet, too, and writer of
the Comedies, whose soul was bitter hell, saw not in heaven, nor
beneath, nor in the orb between, a wood so vast, so majestic, and so
beautiful. Trees, the growth of many a revolving year, lay mouldering;
not prostrated by the tornado, nor driven from their seat by floods of
water and of rock, which leave their track seamed, as one might plough a
furrow in the field, but fallen through age, and draped with moss of the
liveliest green, softer to the touch than a woman’s lip. The vine crept
from limb to limb, and threw out its tendrils joyously; now hanging in
mid air, and now, a parasite, twisting about the trunk of some gnarled
oak, adding to strength its sister loveliness; while flowers, broad and
tall, with petals like masts, and of a hue more delicate than that which
opens to the garish sun, spotted the ground as stars spot the sky. The
air pressed heavy, damp, laden with aromatic odors, as to one standing
beneath the swelling arches of some old temple, raised in the middle-age
by hands whose labors Michelett has transferred to historic prose, more
lasting than the stone which was to them a religion and a worship. No
voice broke the general stillness, save the sound of distant water,
Public-domain text, read in full here on John Shaqi.
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