Graham's Magazine, Vol. XL, No. 5, May 1852Various
General
Graham's Magazine, Vol. XL, No. 5, May 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
which shall swiftly succeed them; and so in all the departments of
applied science. And among the agencies which aided and accelerated the
march of Invention, which impelled the car of Industrial Progress, I
doubt not that our children, looking back on that progress from heights
whereof we can but vaguely dream, will honorably distinguish the World’s
Exhibition of 1851.
Nor can we hesitate to class among the lasting benefits of this
Exhibition the wider and deeper appreciation of Labor as a chief source
of human enjoyment and a ground of respect and honor for its votaries, I
know how little sincerity or depth there is in the usual Fourth-of-July
declamation in behalf of the dignity of Labor, the nobleness of Labor,
and the like, by men who never did a _bona fide_ day’s work with their
hands unless absolutely driven to it, and who would be ashamed of being
caught wheeling a barrow or wielding a spade, unless absolutely for
exercise or pastime; yet, since “Hypocrisy is the homage which Vice pays
to Virtue,” even this empty glorification of Labor has some value as a
demonstration, if not of what the fortunate think, at least of what they
think they ought to think. But the tribute paid to Labor in the Great
Exhibition was far deeper and higher than this. Here were tens of
thousands gathered daily to study and admire the chosen products of the
loom, the forge, the shop, the studio; nine-tenths of them from no other
impulse than that afforded by the pleasure and instruction found
therein. Can all this sink into the ground and be forgotten? Shall not
we, for instance, who presume ourselves better appreciators of labor
than the gilded aristocracies and squalid peasantries of Europe, think
more of Industrial capacity since we feel that our country was saved
from disgrace at this grand tournament of Industry by the genius of
Hobbs, of Steers, of Dick, of McCormick? And shall not the Dukes, the
Lords, the Generals, the Honorables, who met from day to day to inspect,
scrutinize, compare and judge the rival products of England, France,
Germany and America, in order to award the palm of excellence to the
worthiest in each department—who severally felt a thrill of pleasure
when a countryman bore off the palm, and a pang of disappointment and
chagrin when none such was found entitled to commendation,—shall they
not henceforth hold in juster esteem the sphere of Creative Art wherein
such trophies were lost or won? I cannot doubt the beneficent influence
of this Exhibition, both in inspiring workers with a clearer
consciousness of the quiet dignity of their own sphere, and in
diffusing, deepening, a corresponding appreciation in the minds of
others. If so, who shall say that the Great Exhibition was held in vain?
Public-domain text, read in full here on John Shaqi.
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