Graham's Magazine, Vol. XL, No. 6, June 1852Various
General
Graham's Magazine, Vol. XL, No. 6, June 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
He might have spared himself this harrowing thought, did he but know
that Edith had actually seen him on her first entrance, and was
determined on showing him that her happiness was not _entirely_
dependent on her whilome, careless lover. The chains he had been so
anxious to loose he now hugged, with anxiety and joy, the closer to him,
as he, notwithstanding the brilliant remarks of Bel, (to which I am
fearful he answered at random,) continued absorbed and wrapped in the
contemplation of Edith’s peerless beauty, and her sprightly and
lady-like manner. He now entered, _con amore_, into the truth of
Shakspeare’s lines—
It so falls out,
That what _we have_ we prize not to the worth,
While we enjoy it; but, being lacked and lost,
Why then we know its value: _then_, we find
The virtue that possession would not show us
While it was ours.
He watches her—and she, at last, suffers her eye to fall upon him. “Is
it possible! Am _I_ so changed! Or, perhaps, she has so far forgotten me
that, after a lapse of three years, I am not recognized.” These were
some of his _now_ agonized thoughts; and, with murmured apology, he
resigned Bel to her father, and moved toward Edith. Too late! She has
taken her place in the quadrille, and he only reaches her former resting
place in time to hear the murmurs of admiration from the group of
gentlemen left. The graceful, willowy figure of Edith is now moving
through the quadrille with a young officer, whom Lennard at once dubs in
his heart as “_a puppy_,” from the very fact of seeing him look on _his
own_ Edith! with too impassioned an eye to suit his fancy.
As she takes her place, she allows her eyes to meet those of Charles—an
electric stream seems to shoot through each heart, for the bright blush
of Edith suffuses even her snowy throat.
When the quadrilles were finished, he, of course, had an opportunity of
advancing and addressing Edith; and that same inconsistency! which I
have before apostrophized—he would rather have the embarrassment of a
_scene_ now, than the smile, and—to his excited imagination—very cool,
collected reception which Edith at this time tenders him. She welcomed
him, ’tis true, but shared with him—_him_ the loved—the betrothed—the
absent—the smiles which _his_ heart so covets with the acquaintance of
a day! Could mortal man bear this? Charles felt that the iron had
entered into his soul and Edith saw it!
Public-domain text, read in full here on John Shaqi.
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