Graham's Magazine, Vol. XL, No. 6, June 1852 — John Shaqi
Graham's Magazine, Vol. XL, No. 6, June 1852Various
General
Graham's Magazine, Vol. XL, No. 6, June 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Well, to cut the matter short, the tragedy was a dead failure, as it
merited to be, and before the last act was ended, Ferdinand’s golden
dreams were rudely dispelled, and he clutched the _pièce de cent sous_
in his waistcoat-pocket as though it were to save him from going crazy.
When the curtain dropped he escaped from the theatre unseen, muffled up
in his cloak like some criminal flying from detection. But his fate was
lying in wait for him. As he turned round the corner of the house which
led into the least frequented of the surrounding streets, he perceived
three or four carriages waiting for their occupants, and he stood for an
instant, hesitating whether to go backward or forward. At that moment, a
ray from the _réverbère_ fell upon the face of a lady who, enveloped in
mantle and hood, was waiting for the arrival of her equipage. Ferdinand
had never seen that face before, but he stood riveted to the spot, for
something in his heart whispered, _it is she—the one_! The preceding
carriages received their respective charges, and whirled them off; the
last one drew up, and the door was opened by the footman—the lady
dropped her glove, whilst turning to bid adieu to her companion.
Ferdinand, unconscious that he had sprung to her side, raised it up, and
offered it to its owner. “Thank you, Armand,” said she, “what a wretched
stupid play—was it not?” and then turning round—“A thousand pardons,
monsieur!” she exclaimed, “I mistook you for another person;” and so,
with a bow, she entered her carriage, and the door closed with a bang.
Ferdinand stood upon the spot where he had seen her stand, until a
_sergent de ville_ touched him on the arm, and told him to move on.
“_What a wretched stupid play!—was it not?_” the sentence rang in his
ear, but brought with it the echo of the tone—that magic sound that had
struck upon the chords of his secret soul, and under whose vibration
they were still striking their response—the honeyed voice, not the hard
words, had wounded him, and he confessed that, though deadly, the poison
was nectar to the taste.
Day after day, hour after hour, did Ferdinand spend in the vain attempt
to discover his unknown idol, and the less he succeeded in the
enterprise, the more the object of his pursuit became lovely in his
eyes, and was surrounded with ideal charms. It would be useless to enter
into the painful details of Ferdinand’s life during this period.
Public-domain text, read in full here on John Shaqi.
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