Graham's Magazine, Vol. XLI, No. 2, August 1852Various
General
Graham's Magazine, Vol. XLI, No. 2, August 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
We had not remained long in the city before I was afforded the rare
privilege of being present at a Jewish wedding. The solemnization of the
marriage rite is preceded by seven days’ feasting and rejoicing at the
house of the betrothed. Open house is indeed kept, where the friends and
relations of the affianced couple meet every day to eat, drink, and be
merry. The guests usually assemble before noon. On my arrival at twelve
o’clock, the rooms were already filled with visitors. I was conducted
first to a chamber where the bride, prettily attired and veiled, was
seated on a bed to be looked at: Moorish modesty forbidding that she
should take any other part in the merry-making than that of silently
looking on. Passing through the adjoining rooms—where cakes, wine and
fruit of every description were spread in abundance—I was ushered into
the presence of the family group and their large circle of friends, all
of the gentler sex: male visitors being rigidly prohibited. I have
rarely seen any thing more classically beautiful than the faces of those
Jewish women. One more beautiful and pensive-looking than the rest
appeared to take a prominent part in the affair. She was magnificently
dressed in amber-colored and crimson silk damask embroidered with gold,
white silk with satin stripes; spangles; a jacket of pale blue velvet
embroidered with gold and trimmed with gold buttons; sleeves of white
gauze, curiously pinned together behind the back, leaving the arms
exposed, the rounded form of which was set off by costly bracelets, in
keeping with a profusion of jewelry in the shape of brooches, ear-rings,
and necklace. A handkerchief was tied over the head, and red slippers,
embroidered in silver, completed the dress.
Dancing appeared to form the chief entertainment, and was kept up with
great spirit to the discordant sounds of sundry tomtoms and a fiddle.
The want of harmony was, however, amply compensated by the singularity
of their national dances. They are intended to represent the human
passions. They were generally performed singly, though sometimes two
persons stood up together, each holding a gay-colored handkerchief
coquettishly over the head. They seldom moved from one spot, and their
movements were nearly all with the body, not with the legs. Their
figures were entirely unconfined by stays. The Terpsichorean part of the
rejoicing terminated about six o’clock, and a sumptuous banquet
followed, of which about thirty of the guests partook. The table was
decorated with massive candelabra, and a costly service of plate, which
is generally an heir-loom in the families of these rich Jewish
merchants.
Public-domain text, read in full here on John Shaqi.
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