Graham's Magazine, Vol. XLI, No. 5, November 1852Various
General
Graham's Magazine, Vol. XLI, No. 5, November 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
The passion for shawls among all women everywhere is remarkable. In one
country, the shawl may flow from the head like a veil; in another, it
hangs from the shoulders; in another, it is knotted round the loins as a
sash; in yet another, it is swathed round the body as a petticoat.
Wherever worn at all, it is the pet article of dress. From a time remote
beyond computation, the sheep of Cashmere have been cherished on their
hills, and the goats of Thibet on their plains, and the camels of
Tartary on their steppes, to furnish material for the choicest shawls.
From time immemorial, the patterns which we know so well have been
handed down in a half-sacred tradition through a Hindoo ancestry, which
puts even Welsh pedigrees to shame. For thousands of years have the
bright dyes, which are the despair of our science and art, been
glittering in Indian looms, in those primitive pits under the palm-tree,
where the whimsical patterns grow like the wildflower springing from the
soil. For thousands of years have Eastern potentates made presents of
shawls to distinguished strangers, together with diamonds and pearls.
At this day, when an Eastern prince sends gifts to European sovereigns,
there are shawls to the value of thousands of pounds, together with
jewels, perfumes, and wild beasts, and valuable horses; just as was done
in the days of the Pharaohs, as the paintings on Egyptian tombs show us
at this day. And the subjects of sovereigns have as much liking for
shawls as any queen. At the Russian Court, the ladies judge one another
by their shawls as by their diamonds. In France, the bridegroom wins
favor by a judicious gift of this kind. In Cairo and Damascus, the gift
of a shawl will cause almost as much heart-burning in the harem as the
introduction of a new wife. In England, the daughter of the house spends
the whole of her first quarter’s allowance in the purchase of a shawl.
The Paris grisette and the London dressmaker go to their work with the
little shawl pinned neatly at the waist. The lost gin-drinker covers her
rags with the remnants of the shawl of better days. The farmer’s
daughter buys a white cotton shawl, with a gay border, for her wedding;
and it washes and dyes until, having wrapped all her babies in turn, it
is finally dyed black to signalize her widowhood. The maiden aunt,
growing elderly, takes to wearing a shawl in the house in mid-winter;
and the granny would no more think of going without it at any season
than without her cap. When son or grandson comes home from travel, far
or near, his present is a new shawl, which she puts on with deep
consideration, parting with the old one with a sigh. The Manchester or
Birmingham factory-girl buys a gay shawl on credit, wears it on Sunday,
puts it in pawn on Monday morning, and takes it out again on Saturday
night for another Sunday’s wear, and so on, until she has wasted money
that would have bought her a good wardrobe. Thus, from China round the
Public-domain text, read in full here on John Shaqi.
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