Graham's Magazine, Vol. XLI, No. 6, December 1852Various
General
Graham's Magazine, Vol. XLI, No. 6, December 1852
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
“She might have slept thus nearly an hour, when she became conscious
that there was another presence in the room. She stirred a little, and
the village-clock drowsily clanged to tell the midnight. She opened her
eyes. The moon was far up, and poured a flood of white light through the
casement. A tall, attenuated figure, in a long, loose, and tattered
gown, which showed ghostly white, stooped over her.
“The shape stood between the bed and the window, and yet so ethereal was
it, that she seemed to see the casement, the climbing moon, and the
white church spire, as though nothing intervened. But the face, so
ghastly white, so thin with want and woe--cross-lined and
interlined--and the eyes--so faded and expressionless, she had never
seen any thing like it.
(Here Margaret pressed her father’s arm, and pointed to Alice, whose
fingers were quivering like aspen-leaves--but he did not pause.)
“Like two pictures on a wall, her imagination placed the image of her
lost sister beside this form, so unlike in every particular. The
conclusion was irresistible. It was her sister, or--as her disturbed
fancy would rather indicate--her ghostly representative. Overcome by her
emotions she fainted, and when she recovered, the visitor was gone. She
lay quite still, in her terror, until the approach of dawn, and then
arising, she dressed herself all in a tremor, and prepared to descend.
All was still as death, for it lacked a half-hour yet of sunrise. She
heard Chanticleer’s shrill cry without, just as he emerged from his
dormitory, and she noticed a cricket’s sharp voice within, and even the
tick of a death-watch in the wall fell distinctly on her ears. A chill
crept over her, like the forerunner of some frightful calamity.
(Here Margaret pressed the narrator’s arm again, but with the same
success as before.)
“She crept, rather than walked down the stairs, and peeped through the
kitchen door, which stood ajar. The eastern shutter was swung partially
back, and admitted a streak of the cold, gray light of dawn, which fell
upon the features of the midnight visitor, who sat erect at one side of
the room. She did not stir, though Esther, staggering in her terror,
thrust the door back with considerable noise. Perfectly still she sat,
gazing, as if in fright, at the hideous face of old Dame Burton, who sat
a little more in the dusk, regarding her attentively. The old crone was
inclined a little forward, her shriveled lips separated in a grin, and
one lean finger threateningly raised in a gesture which said more than
words. Neither spoke; but, cold, still, and pale, they gazed at one
another, and then was felt around--
‘A smell of clay, a pale and icy glare
And silence----’”
“See, see!” exclaimed Margaret.
Alice sat motionless, with her head thrown slightly back, and her face
whiter than the moonbeams which fell upon it.
“What is this?” asked Father Bromley.
“It is Death!” shrieked Margaret.
Public-domain text, read in full here on John Shaqi.
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