Graham's Magazine, Vol. XVIII, No. 5, May 1841Various
General
Graham's Magazine, Vol. XVIII, No. 5, May 1841
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
The story of “The Curiosity Shop” is very simple. Two brothers of
England, warmly attached to each other, love the same lady, without each
other’s knowledge. The younger at length discovers the elder’s secret,
and, sacrificing himself to fraternal affection, quits the country and
resides for many years in a foreign land, where he amasses great wealth.
Meantime his brother marries the lady, who soon dies, leaving an infant
daughter—her perfect resemblance. In the widower’s heart the mother
lives again through the child. This latter grows up, marries unhappily,
has a son and a daughter, loses her husband, and dies herself shortly
afterward. The grandfather takes the orphans to his home. The boy spurns
his protection, falls into bad courses, and becomes an outcast. The
girl—in whom a third time lives the object of the old man’s early
choice—dwells with him alone, and is loved by him with a most doting
affection. He has now become poor, and at length is reduced to keeping a
shop for antiquities and curiosities. Finally, through his dread of
involving the child in want, his mind becomes weakened. He thinks to
redeem his fortune by gambling, borrows money for this purpose of a
dwarf, who, at length, discovering the true state of the old man’s
affairs, seizes his furniture and turns him out of doors. The girl and
himself set out, without farther object than to relieve themselves of
the sight of the hated city, upon a weary pilgrimage, whose events form
the basis or body of the tale. In fine, just as a peaceful retirement is
secured for them, the child, wasted with fatigue and anxiety, dies. The
grandfather, through grief, immediately follows her to the tomb. The
younger brother, meantime, has received information of the old man’s
poverty, hastens to England, and arrives only in time to be at the
closing scene of the tragedy.
This plot is the best which could have been constructed for the main
object of the narrative. This object is the depicting of a fervent and
dreamy love for the child on the part of the grandfather—such a love as
would induce devotion to himself on the part of the orphan. We have thus
the conception of a childhood, educated in utter ignorance of the world,
filled with an affection which has been, through its brief existence,
the sole source of its pleasures, and which has no part in the passion
of a more mature youth for an object of its own age—we have the idea of
this childhood, full of ardent hopes, leading by the hand, forth from
the heated and wearying city, into the green fields, to seek for bread,
the decrepid imbecility of a doting and confiding old age, whose stern
knowledge of man, and of the world it leaves behind, is now merged in
the sole consciousness of receiving love and protection from that
weakness it has loved and protected.
Public-domain text, read in full here on John Shaqi.
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