Graham's Magazine, Vol. XX, No. 3, March 1842Various
General
Graham's Magazine, Vol. XX, No. 3, March 1842
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Strong bodies of the household troops were posted here and there about
the avenues and gates of the royal demesne, and several large
detachments of the archers of the prevôt’s guard—still called so from
the arms which they had long since ceased to carry—might be seen every
where on duty. Yet there were no symptoms of an émeute among the
populace, nor any signs of angry feeling or excitement in the features
of the loitering crowd, which was increasing every moment as the day
waxed toward noon. Some feeling certainly there was—some dark and
earnest interest, as might be judged from the knit brows, clinched
hands, and anxious whispers which every where attended the exchange of
thought throughout the concourse—but it was by no means of an alarming
or an angry character. Grief, wonder, expectation, and a sort of half
doubtful pity, as far as might be gathered from the words of the passing
speakers, were the more prominent ingredients of the common feeling,
which had called out so large a portion of the city’s population on a
day so unsuited to any spectacle of interest. For several hours this
mob, increasing as it has been described from hour to hour, varied but
little in its character, save that as the day wore it became more and
more respectable in the appearance of its members. At first it had been
composed almost without exception of artisans and shop boys, and
mechanics of the lowest order, with not a few of the cheats, bravoes,
pickpockets, and similar ruffians, who then as now formed a fraternity
of no mean size in the Parisian world. As the morning advanced, however,
many of the burghers of the city, and respectable craftsmen, might be
seen among the crowd; and a little later many of the secondary gentry
and petite noblesse, with well-dressed women and even children, all
showing the same symptoms of sad yet eager expectation. Now, when it
lacked but a few minutes of noon, long trains of courtiers with their
retinues and armed attendants, many a head of a renowned and ancient
house, many a warrior famous for valor and for conduct might be seen
threading the mazes of the crowded thoroughfares toward the royal
palace.
A double ceremony of singular and solemn nature was soon to be enacted
there—the interment of a noble soldier, slain lately in an unjust
quarrel, and the investiture of an unwilling woman with the robes of a
holy sisterhood preparatory to her lifelong interment in that sepulchre
of the living body—sepulchre of the pining soul—the convent cloisters.
Armand de Laguy!—Marguerite de Vaudreuil!
Many circumstances had united in this matter to call forth much
excitement, much grave interest in the minds of all who had heard tell
of it!—the singular and wild romance of the story, the furious and
cruel combat which had resulted from it—and last not least, the
violent, and, as it was generally considered, unnatural resentment of
the King toward the guilty victim who survived the ruin she had wrought.
Public-domain text, read in full here on John Shaqi.
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