Graham's Magazine, Vol. XX, No. 4, April 1842Various
General
Graham's Magazine, Vol. XX, No. 4, April 1842
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Many circumstances contributed to render my first visit to West Point
peculiarly pleasant. I had never in my life spent three weeks so
agreeably. Subsequently, I resided there nearly two years in the family
of my brother. I have enjoyed the grand and lovely scenery of West Point
under all the various aspects of the seasons. I have been there when the
late, but rapid spring, with its balmy breathings, and its soft
sun-light, suddenly awakens the long-slumbering vegetation of these high
and northerly regions, when you can almost _see_ the forming of the buds
and their bursting into leaf; while patches of the last snow yet linger
here and there about the cavities of the rocks, and in the hollows that
lie among the roots of the trees, “on their cold and winter-shaded
side.” At the same time, in the warmer recesses of the forests, the
early flowers of the hepatica and the violet are finding their way up
amid the dead leaves which the wild blasts of November have strewed
thickly over the ground.
These mountains are wooded from the base to the summit, (except where a
block of granite looks out from amid the trees,) and in the month of May
they are variegated with all those countless and exquisite shades of
green, that can only emanate from the hand of that Great Painter that
colored the Universe. While some of these inimitable tints are dark
almost to blackness, and some are of the richest olive, others present
in endless variety, the numerous gradations of deep-green, blue-green,
grass-green, apple-green, pea-green, and yellow-green; the catalpa and
the locust, with their clusters of pencilled blossoms, and the dogwood
with its milk-white flowers, supplying the bright lights of the picture.
Then, in looking up the river, the long perspective is closed at the
utmost verge of the horizon by the far-off Taghcanoke mountains: the
snows that still rest on their cold and lonely summits extending in
streaks of whiteness half-way down their dim blue sides.
To a stranger at West Point the commencement of a summer’s day has many
circumstances of novelty and excitement that are almost lost upon those
to whom custom has rendered them familiar. With the earliest blush of
dawn, and at the third tap of the drum, the morning gun goes off, and
when the wind is in a certain direction, I have heard its loud booming
sound five times repeated by the mountain echoes, “fainter and fainter
still”—but always distinctly audible. At the same moment the flag is
run up, and flings out to the early breeze its waving folds of stars and
stripes denoting that the place is United States’ ground, a military
post, and under martial law. These ceremonies are immediately succeeded
by the drums and fifes commencing the delightful réveillée, clear, sweet
and exhilarating—the first notes of which seem so distinctly to express
the words,
“The lark is up, the morn is gay,
The drums now beat the réveillée.”
Public-domain text, read in full here on John Shaqi.
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