It was a clear, cold afternoon, and the sun was already sinking behind the mountains, whose giant shadows, magnificently colored with crimson and purple, were projected far forward upon the frozen snow that covered the plain; as a range of painted windows cast down their glowing tints upon a white marble pavement. When the funeral began to move from the chapel, the band (preceding the coffin) commenced one of the mournful airs that are usually appropriated to “the march of death.” The muffled drums were struck only at long intervals, and their heavy notes were deadened still more by the chillness of the atmosphere; while Willis’s bugle sounded almost like music from the world of spirits. Next came the soldiers, then the cadets, afterwards the officers, and lastly the commandant; all walking with their arms inverted. I saw the sad and lonely procession moving slowly through the snow, and directing its course to the cemetery, which is about a mile from the plain. Shaded with ancient trees, the grave yard occupies the summit of a promontory that impends above the river; and the Cadet’s Monument crowned by its military trophy in white marble, forms one of the land marks of the shore. I heard (and it always seems to me the most affecting part of the ceremonial) the volley which was fired over the grave, after that cold and narrow cell had been covered in with clods of frozen earth mingled with snow. A very extraordinary circumstance connected with military funerals is the custom, that when all is over, and the procession is returning with recovered arms, and marching in quick time, the music always performs a lively air; frequently one that is designated in the army as, “So went the merry man home to his grave.” This revolting practice is said to have originated in the same principle that is set forth in the commencing lines of the well-known song, said to have been sung by General Wolfe at his supper table on the night before the battle in which he was killed: “Why, soldiers why, Should _we_ be melancholy boys Whose business ’tis to die.” The horrors of _every_ war are, and must be so terrible, that its practice admits of no palliation, except when the struggle is in defence of our native land. How ought we then to rejoice that in this our own favored country, no hecatombs of human victims can be immolated to swell the pride, to gratify the ambition, or to feed the rapacity of a few of their fellow men. Surely the people of another century will regard with amazement the tales of blood and carnage that defile the pages of history. They will wonder that rational beings could be found who were willing to engage in these atrocious contests, undertaken “for the glory of heroes, the splendor of thrones.” Where are now the Buonapartes and the Bourbons, for whose sake forty thousand lives were destroyed in the dreadful day of Waterloo, “on that tremendous harvest field where death swung the scythe.”