Graham's Magazine, Vol. XX, No. 4, April 1842Various
General
Graham's Magazine, Vol. XX, No. 4, April 1842
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Do you observe those singular luminous appearances resembling masses of
pale fire, or torch lights, hurrying from place to place, turning and
meandering in all directions, some feet beneath the waves, like comets
liberated from their proper spheres, and wandering without rule in the
abyss of waters? They are produced by fish that are playing about the
vessel, and were we adepts in the sport we might chance to strike one
with the grains by the glare of his own torch. But this requires the
skill and long experience of many voyages. To strike a fish by day is
difficult enough; for, even then, he is not to be found where he
appears. When you look obliquely from the vessel’s side at any object in
the water, refraction changes its apparent place to a much greater
distance than the real one, and brings the image nearer to the surface.
Success in reaching such an object requires your aim to be directed
towards a point considerably below the spot at which your game is seen.
At night the difficulty is much enhanced;—for it is not the fish itself
that emits the light. The agitation produced by his rapid motions
awakens the thousands of luminous animalcules swarming in every cubic
foot of water, and, as they fire their little tapers in succession, they
fall into the rear, while the fish darts onward under cover of the
obscurity, leaving a brilliant wake which serves but to deceive, or
sometimes to guide, his enemies, and to attract his prey.
But hark!—How the wind howls through the shrouds and whistles around
the slender rigging!—The gale increases, and another change comes over
the night scene. Do you observe how pitchy the gloom has grown to
windward?—All traces of the clouds in that direction are lost.—Ha!—A
flash of lightning!—Here it comes in earnest!—The pouring rain
obscures even the phosphoric glimmering of the waves, and now we have
“night and storm and darkness,” in all their terrible beauty! Who dares
attempt to paint the scene in words!—On every
hand,—above—around—within—all is confusion! The crew spring to their
stations, while the loud command and the scarce audible response are
mingled with the dash of waves, the roar of the blast, and the creaking
of the wracked timbers in one discordant, unintelligible burst of sound.
You stand, or rather _hang_ by the mizzen shrouds, the centre of an
invisible world where the maddened elements and hardy men contend for
life or conquest. You hear them, but you see them not,—save when the
electric flash tinges sea and cloud with momentary brilliance. Your eye
detects the foot of the nearest mast, but you endeavor in vain to trace
the tall spar upwards towards the lofty perch of those brave fellows on
the yard, whose shrill voices—heard as if from a mile in the distance,
in answer to the trumpet of the captain,—just reach the ear amid the
din of a thousand unearthly voices, and add to the wizard wildness of
the scene.
Public-domain text, read in full here on John Shaqi.
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