Graham's Magazine, Vol. XX, No. 6, June 1842Various
Science
Graham's Magazine, Vol. XX, No. 6, June 1842
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
GRAHAM’S MAGAZINE.
Vol. XX. June, 1842 No. 6.
Contents
Fiction, Literature and Articles
The Wire Suspension Bridge
The Science of Kissing!!
Harry Cavendish
Miss Thompson
Russian Revenge
Mrs. Ware’s Poems
Love and Pique
The Two Dukes
Review of New Books
Poetry and Fashion
Farewell
The Pewee
The Return Home
Olden Deities
Perditi
The Heavenly Vision
Sights From My Window—Alice
The Absent Wife
Song
Fashion Plate
Transcriber’s Notes can be found at the end of this eBook.
* * * * *
[Illustration:
W. Croome, del., Engraved by Rawdon, Wright, Hatch & Smillie
NEW SUSPENSION BRIDGE AT FAIRMOUNT
Philadelphia.
Drawn and Engraved expressly for Graham’s Magazine.]
GRAHAM’S MAGAZINE.
Vol. XX. PHILADELPHIA: JUNE, 1842. No. 6.
* * * * *
THE WIRE SUSPENSION BRIDGE.
This elegant structure is thrown across the Schuylkill, on the site once
occupied by an airy and graceful wooden erection, for years the pride of
our city, and celebrated as being the longest bridge of a single arch in
the known world. The boldness of the architect in thus spanning a river
three hundred and fifty feet wide, was the theme of universal
admiration. Few will forget Fanny Kemble’s poetic comparison, when she
said the bridge looked like a white scarf flung across the water. The
destruction of this favorite fabric, by fire, in the fall of 1838, was
regarded as an irreparable loss.
The conflagration presented a grand picture. The flames were first seen
towards the western entrance of the bridge, and in a very few minutes
the whole fabric was a mass of fire. The wind was down the stream, and
catching the flames as they broke from the flooring of the bridge, it
swept them far away under, until a fiery cataract, reaching from shore
to shore, seemed pouring horizontally down the river. By this time
spectators began to throng around, and before the bridge fell, thousands
lined the adjacent shores and covered the side of the overhanging hill,
looking down on the scene below, as from the seats in an amphitheatre.
Public-domain text, read in full here on John Shaqi.
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