Graham's Magazine, Vol. XX, No. 6, June 1842Various
Science
Graham's Magazine, Vol. XX, No. 6, June 1842
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
“No sir, they are not,” returned Miss Thompson, impatiently giving her
reticule a swing, which raised Cupidon off his feet, that important
character having laid siege to the tassels.
“_Laissez aller_, Cupidon! a thorough-bred Parisian animal, Miss,—he
does not understand a word of English. He was a keepsake from a
particular friend of mine, Baron Mont Tonnére. You may have met with the
baron; he was quite a lion among our _élite_? By the by, a Miss Thompson
came very near being the baroness,—she was one of the Thomas Thompsons
of New York.”
No reply.
“One of the best families in the country,—the same as the B. B.
Thompsons of Philadelphia, the Brown Thompsons of Charleston, and the
Thoroughgood Thompsons of Boston.”
“You seem quite _au fait_ to the Thompsons;” said the elder lady; and
turning to her daughter, they resumed a conversation, which he had
interrupted, about the lecture and the lecturer, Miss Thompson
expressing a wish to see some of his productions, and her confidence
that a person of his evidently cultivated taste must possess merit as a
painter. Mr. Sutton, as is common with vain people, drawing his
conclusions from his own practice, presumed, of course, that all their
fine talking was specially aimed at his favor, and when the younger
lady, in return for his occasional interpositions, gave him a disdainful
glance of her full black eyes, he admired her art in displaying their
brilliancy.
The garden of the inn commanded one of the loveliest views among the
finest river scenery in our country, an exquisite combination of glassy
water, little green islets, hills of every variety of form, and
mountains, rising one behind another till their outlines grew almost
imperceptible in the distance. This, in the light of a magnificent
sunset caught the eye of the young painter from a little summer-house in
which he had been reading, and he hastened to his room for his
portfolio. On his return he commenced sketching with such intentness
that he did not perceive that Miss Thompson had taken possession of his
former post, until she addressed him with the remark, “You have a most
admirable subject for your pencil before you, sir.”
“Beautiful, beautiful!” returned he, warmly; “I never have beheld
anything in this order of scenery to surpass it, though, indeed, this
glorious river presents, in its whole course, a panorama of views so
varied and each so perfect, that it is difficult to decide upon any one
as claiming the strongest admiration. I have been tracing it for several
months, my store of sketches accumulating every day, and the larger
number of them such as would require the hand of a master to do them
justice. I sometimes almost despair, and feel inclined to abandon my art
from the difficulties I find in attempting not to disgrace my
subjects,—such as these for instance,—they may be familiar to you.”
Public-domain text, read in full here on John Shaqi.
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