Graham's Magazine, Vol. XX, No. 6, June 1842Various
Science
Graham's Magazine, Vol. XX, No. 6, June 1842
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
“_My dear, dear Miss North_—How can I give you any idea of the
gratitude I feel for the last and greatest of your many
kindnesses; you have made me so happy that I have not words to
express myself, and not only me, but my dear mother, who says
that you have done her more good than could have been effected
by a whole college of physicians, for her health, at the
prospect of a pleasant home, and freedom from incessant mental
labour, begins already to come back again. We have given up our
school, and are preparing to act upon the arrangements you have
made for us. I have received a delightfully kind letter from
your uncle,—he begs me to consider him as _mine_; in which he
says he will come for us very soon, and requests me to enclose
any communication for you to him. He speaks flatteringly of the
satisfaction our company will give him while you are on your
travels beyond the Atlantic. He little knows how impossible it
will be to supply _your_ place!” etc. etc.
Sutton read no more. It was signed L. Thompson, and that was sufficient.
He unconsciously thrust the letter into his pocket, and hurried to the
house. How was he to back out?—it now struck him that less importance
could be attached to his actions by others than himself, and he grew
nervous at the thought of how he had committed himself:—that he had
paid the most unequivocal attentions to—a schoolmistress! The artist’s
triumph indeed relieved him on that score, but a new sting was planted,
and a more miserable dandy was, perhaps, not that day in existence, than
Bromwell Sutton when he applied for lodgings at the G—— Hotel.
“Our work is finished at last!” said the painter, a few days after this
happy riddance, bringing down the piece, which had afforded them so much
enjoyment, for the inspection of Miss Thompson. She was gathering up
some books from the parlor tables with a thoughtful and pensive
countenance.
“Then I must take a ‘last lingering look’ at it,” returned she; “I may
never see it nor its original again.”
Oakley looked at her anxious and inquiringly, and she continued, “We
leave here to-day; an unexpected letter reached us this morning, urging
us to be ready at any hour.”
“And what am I to do without you?” asked the artist, in a very natural
and love-like way, and he followed the question with a short oration,
unnecessary to repeat. But before he had finished it, a carriage stopped
at the door, and in half a minute an elderly gentleman presented himself
in the entry.
Public-domain text, read in full here on John Shaqi.
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