Graham's Magazine, Vol. XXI, No. 4, October 1842Various
General
Graham's Magazine, Vol. XXI, No. 4, October 1842
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
* * * * *
REJOICE.
The world is full of Joy. The sweet rose flings
Her fragrance out to invite the zephyr’s kiss:
The morning lark in wantonness of bliss
To meet the sun, with song of welcome, springs:
The little brook to her own motion sings:
The storm laughs wild—down comes the dancing rain,
The mountain stream leaps shouting to the plain
And with high glee the echoing valley rings.
The strong wind whistles in his desert caves;
The thick clouds ride triumphant down the sky;
The old green wood his trusty branches waves;
Huge ocean shakes his foamy crest on high;
Earth springs exulting in her fadeless prime;
And the glad sun rolls on his course sublime!
S. S.
* * * * *
THE CLAM-BAKE.
JEREMY SHORT AMONG THE RHODE ISLANDERS.
Well, sirs, Robin is a gallant poney, but riding over these confounded
hills has almost shaken me to pieces, and, at every stride, for the last
ten minutes, I’ve heard my bones rattling like pennies in a beggar’s
alms-box. My mouth’s as parched as if dried up by lightning—but be
sociable, lads, and give us a drinking cup, if it’s no better than a
clam shell. Ah! that’s divine, better than ambrosia, real Cogniac I
declare. How are you, captain? doctor? general?—bless my soul! if
yonder isn’t Providence. Egad! this is a delightful place—beats
Rowseville all hollow—it only wants a few trees here, and a clump of
woodland there, to make it as cool and shady as a Mussulman’s paradise.
The bay is alive with craft, and yonder—just look at them—are two
jaunty rascals racing. How the little fellow eats to windward—they are
throwing ballast overboard from the larger craft—whizz, whizz, one can
almost hear the water bubbling along the wash-board as she bends to the
blast—and now, side by side, they go, the foam crackling over the bow,
and drenching the crew all the way aft. Huzza! the little fellow has
won, and dances into the wind as Taglioni when she springs on the stage,
more like a spirit than a human being.
Public-domain text, read in full here on John Shaqi.
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