Graham's Magazine, Vol. XXXI, No. 1, July 1847Various
General
Graham's Magazine, Vol. XXXI, No. 1, July 1847
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
In a secluded cove, formed by a bend in a small river, that empties its
waters into the sea a few miles from Havana, whose mouth, bare thirty
yards in width, would scarce be discovered by a stranger, or casual
observer, so rankly and luxuriously do the mangrove-bushes grow upon its
banks, and even in the water, that sailing within a hundred feet of the
shore, no break or indentation is visible in the line of vegetation, lay
at anchor one of the most beautiful and symmetrical top-sail schooners
that ever left the port of Baltimore.
The great tautness and beautiful proportion of her masts, the length of
her black fore-yards, the care displayed in the furl of her sails, and
the tautness and accuracy with which her rigging was set up, would have
convinced one at a distance that she was a man-of-war; this impression
would have been strengthened, upon a nearer approach, by the fresh coat
of jet-black paint upon her splendidly modeled hull, and the appearance
of seven pieces of bright brass ordnance; one a long eighteen, on a
pivot amidships, the others short carronades, three a side, ranged along
her spotless deck, holy-stoned until it was as white as chalk; the
ornamental awning stretched fore and aft, the neatness and care with
which the running gear was stopped and flemished down, and the bright
polish of all the metal work inboard, also indicated the authority and
discipline of the pennant.
But the absence of that customary appendage to a cruiser, the lack of an
ensign, and the total want of uniform, or uniformity, in the large crew
who were scattered over her deck, enjoying or amusing themselves, in the
shade, with a greater degree of license than is allowed in any regular
service; in groups between the guns, and on the fore-castle, some were
gambling, some spinning yarns, others sleeping, and nearly all smoking,
combined with their motley appearances, for almost every maritime nation
had contributed to form her compliment: Spaniards, Portuguese, Germans,
Swedes, Frenchmen, Englishmen, Americans, mulattoes and swarthy negroes,
were to be distinguished at a glance, and precluded the idea of her
being a regularly commissioned craft: whilst the suppressed tones of the
men’s voices, the air of subordination that pervaded their deportment,
and the apparent sanctity of the quarter-deck, evinced a greater degree
of rule and order than is to be found in a pirate.
She was neither man-of-war, bucaneer, nor honest merchantman, but the
celebrated slaver “La Maraposa;”[3] who, for three years, had been
setting at defiance the whole naval force on the African station; and
many were the tales, current in the squadron, of her unrivaled speed,
and the courage and address of her notorious captain.
Public-domain text, read in full here on John Shaqi.
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