Graham's Magazine, Vol. XXXI, No. 1, July 1847Various
General
Graham's Magazine, Vol. XXXI, No. 1, July 1847
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
“Paddle yourself,” growls Hull, who always entertained a decided
objection to much exertion, although in the enthusiasm of the moment he
had grasped one of the propellers. I seize the paddle he relinquishes,
and whilst he seats himself sluggishly on the side of the scow, I bend
myself to my task. The skiff is by this time half way over; and the
good-natured laugh of its party at our troubles, comes ringing over the
water. However, after a while we “get the hang” of the odd thing, and
the pleasant tap, tap, tap of the ripples at its front, tell that we are
moving merrily forward. Oh, isn’t the kiss of that wandering air-breath
delicious! Whew! what a fluttering and whizzing! A flock of wild ducks,
scared up from that long, grassy shallow to the right. How the sunshine
gleams upon their purple backs, and flashes from their rapid wings.
There they go toward the outlet at “the mills.” And the water, how
beautifully mottled are its depths; how clear and transparent! It seems
almost like another atmosphere. See the fishes swarming below. There
goes a shiner like a flash of silver; is that an ingot of gold shooting
past there, or a yellow perch? And, upon my word, if there wasn’t a
salmon-trout showing its long, dark wavy back beside that log at the
bottom, large enough for a six-pounder. I do wish we had our lines here.
However, we came for a pic-nic, not a “fish.”
Well, here we are at the recess, and the skiff has been here certainly
these fifteen minutes. It is a beautiful place, really. The bank recedes
in a half circle from the water, leaving a space of short, thick turf,
with an edge of pure white sand, on which the ripples cream up and melt
in the most delicate lace-work. The place is in cool shadow, cast by the
tall trees of the forest crowning the bank—and such fine trees, too.
There is the white birch, with its stem of silver-satin; the picturesque
grim hemlock, soaring into the heavens, with a naked top dripping with
gray moss; the beech, showing a bark spotted like a woodpecker; and the
maple, lifting upon a trunk fluted like a cathedral-column, a green dome
of foliage, as regular as if fashioned by an architect. Of all the
forest-trees the maple is my favorite, although it is somewhat difficult
to select where all are so beautiful. Besides the birch, hemlock, and
beech, above mentioned, there is the poplar or aspen, which, although
horribly nervous, is a very pretty tree. The stem is smooth and
polished, with white streaks over its green; the limbs stretch out
broadly, and the leaves are finely cut with a “white lining” underneath.
When the breezes are stirring, the changes of the tree are marvellous;
and its whispers in a still, sunny, noon, when the rest of the woodland
is motionless, are delightful, like the continuous and rapid drip, drip,
drip, of a little rill in the grass. Then there is the elm, bending over
its flexile summit in a perpetual bow to the trees around it, with
Public-domain text, read in full here on John Shaqi.
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