Graham's Magazine, Vol. XXXI, No. 2, August 1847Various
General
Graham's Magazine, Vol. XXXI, No. 2, August 1847
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Therese shook back her curls carelessly, without deigning to notice the
compliment intended to be conveyed; but Harry Belton instantly turned
his eyes toward the poor little Cora. The child was, indeed, lost in
admiration. She leaned her tiny form against her black nurse, while her
large, dark eyes, swollen with incessant weeping, flashed brightly, as
they met the boy’s inquiring gaze. She seized his hand with childish
earnestness, and exclaimed in Spanish, “_Ah venga danza vmd. conmigo?_”
“Ah, come, dance with me,” and raising herself, her little feet went
quickly over the first movements of the dance. The young girls
surrounding Therese, seeing her smile contemptuously, laughed aloud at
what they called the child’s presumption. Poor Cora stopped suddenly as
she heard their laughter, then, with a burst of passionate tears, she
hid her little head on her nurse’s shoulder. The indignant nurse poured
out in a breath, soothings to her darling, and invectives upon the young
ladies.
“Poor child!” said Harry. “You must not be so angry. Pray, stop
weeping—do you not know you are to be my little dancing partner? Come,
Cora, show these doubting young ladies how well you can dance.”
Although the child could hardly understand his imperfect Spanish, still
she gathered sufficient from his tone of voice to know that he intended
kindness. Gradually he succeeded in persuading her to leave nurse Rita’s
shoulder, and obtaining permission from the dancing-master, he gave
orders to the musicians to repeat the dance. At the introduction of the
air, little Cora’s eyes flashed, and _she_ seemed to forget all cause of
discontent and sorrow. The dance proceeded, and those who had looked on
at first from mere curiosity, found themselves applauding quite as much
as they had a little while before the graceful execution of Therese. The
floating, airy figure of the child, gave her a sylph-like appearance;
and as she entered into the spirit of the dance, her dark cheeks glowed,
and full lips seemed still redder; and then her bright eyes beamed forth
such a childish lovingness in the concluding waltz movement, that quite
bewitched them all. Mons. Lunoyer complimented her, and the young ladies
pronounced her a “little love.”
“And who taught you to dance so prettily, Cora?” asked Harry.
The large eyes of the child again filled with tears, for the question
carried her childish memory back to her island home, and the happy days
when her mother, now no longer living, had taken delight in teaching her
graceful child the dances she herself excelled in. Her sobbings
commenced anew, and with agonizing exclamations she begged her dear Rita
to take her to her own _guerida madre_. Harry assisted the nurse in
soothing the unhappy little creature, while the rest of the school
joined in the concluding dance. After it was finished, the attendant
governess gave the signal for departure. The little weeping Cora clung
to her nurse as her only friend.
Public-domain text, read in full here on John Shaqi.
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