Graham's Magazine Vol XXXII No. 6 June 1848Various
General
Graham's Magazine Vol XXXII No. 6 June 1848
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
I now approached a deep embrasure elevated one step above the level
of the apartment, over which magnificent hangings of crimson and gold
swept to the floor. Not for a moment could I doubt who the splendid
being might be occupying the centre of the little group on which my
eyes now rested enraptured.
The most lovely, the most unfortunate Mary of Scotland was before me,
and, as if spell-bound, I could not withdraw my gaze. How did all the
portraits my fancy had drawn fade in comparison with the actual
beauty, the indescribable loveliness of this peerless woman. How was
it possible to give to fancy any thing so exquisitely graceful and
beautiful as the breathing form before me. Ask me not to depict the
color of her eyes; ask me not to paint that wealth of splendid
hair--that complexion no artist's skill could match--that mouth so
eloquent in its repose--those lips--those teeth. As well attempt to
_paint the strain_ of delicious music which reaches our ears at
midnight, stealing over the moonlit wave; or to _color the fragrance_
of the new-blown rose, or of the lily of the vale, when first plucked
from its humble bed. For even thus did the unrivaled charms of Mary of
Scotland blend themselves indescribably with our enraptured senses.
On a low stool at the feet of Mary sat Catharine Seyton, whose fair,
round arm seemed as a snow-wreath resting amid the rich folds of her
royal mistress' black velvet robe. Yet not so deeply absorbed was she
in devotion to her lady as to prevent her now and then casting a
mischievous glance on Roland Graeme, who, with the Douglas, were also
in attendance upon their unhappy queen. Drawn up on one side was the
stately figure of the Lady of Lochleven, with a scowl on her face, and
a bitter look of hate fastened on the unfortunate Mary.
With regret I at length moved away from this enchanting presence, my
sympathies to be soon again awakened for the gentle Amy Robsart,
Countess of Leicester.
She was reclining on a sofa of sea-green velvet, seeded with pearls,
bearing in its centre the cypher of herself and lord, surmounted by a
coronet. At her feet knelt the Earl of Leicester with all the outward
semblance of a god. One little hand rested confidingly in his, the
other nestled amid the dark locks clustering over his high and
polished brow. Ah! little did she dream of guile in her noble lord!
How could she, when with such looks of love he gazed upon her--with
such words of love delighted her trembling heart.
The fawning villain, Varney, stood at a little distance behind the
unconscious Amy, even then, as it seemed to me, plotting her
destruction with the old arch hypocrite, Foster, with whom he was
holding low and earnest conversation. Tressilian--the brave, good
Tressilian--as if sworn to protect the lovely lady, leaned on his
sword at her right hand, his fine eyes bent with a look of mingled
admiration and pity on her ingenuous countenance.
Public-domain text, read in full here on John Shaqi.
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