An unprincipled man, in his sphere possessing almost unlimited power, he felt himself baffled by an unarmed prisoner and a helpless maid. “Till now,” he said to himself, “I thought Dolores beautiful, but her features want the intellectual grace and harmony of this northern houri. At all hazards, she must be mine. If all else fails, the drug must be resorted to. It is certainly the speediest and I know not but that it is the best; but I am neglecting my first precaution.” He rung the bell for the steward, a dark, swarthy Italian, with the body of a man surmounted on the legs of a dwarf. “Domingo,” said his master, “go into the secret passage and watch Gonzalez, who is now with the lady. Note every thing that he does, and try to gather the meaning of what he says.” The steward obeying, disappeared through a panel that opened with a spring. In about half an hour, Gonzalez came forth from the inner cabin, and stated what he had learned of the prisoners, which, as there was no concealment, is precisely what is known to the reader. When he had retired, at a peculiar signal from the count, the panel noiselessly flew open, and the steward reappeared before his master. His account was any thing but satisfactory, and the count’s brow was darkened with deep mistrust, as he listened to the recital. About sunset, Miss Gillespie, aroused by some incentive, sent to ask if her brother and herself might be permitted to walk on the upper deck. Assent was most graciously given, and the count himself escorted her. Finding that she would not converse, and that his presence was evidently irksome to her, he smothered his chagrin, and after a few turns, left the orphans to themselves.