Graham's Magazine, Vol. XXXIV, No. 6, June 1849Various
General
Graham's Magazine, Vol. XXXIV, No. 6, June 1849
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
his household? It was not in the art of Aurelia so to mould the
expression of her countenance, as to hide from others the anxiety which
she felt in the increasing and secret communion of the brothers. She
watched their departure with dread, and witnessed their return together
with agitation. She saw, or fancied she saw, in the looks of the younger
a malignant exultation, which even his habitual cunning did not suffer
him entirely to conceal.
CHAPTER IV.
_The Secret Picture._
At length the cloud seemed to clear away from the brow of her husband.
He once more resumed his labors, and with an eagerness and an avidity
which he had not betrayed before. His passion now amounted to intensity.
He gave himself no respite from his labors. Late and early he was at his
task—morning and night—without intermission, and with the enthusiasm
of one who rejoices in the completion of a favorite and long-cherished
study. Aurelia was not unhappy at this second change; to go back to his
old engagements and tastes seemed to her to indicate a return to his
former equanimity and waveless happiness. It was with some surprise,
however, and not a little concern, that she was not now permitted to
watch his progress. He wrought in secret—his studio was closed against
her, as, indeed, it was against all persons. Hitherto it had not been so
in her instance. She pleasantly reproached him for this seclusion, but
he answered her—“fear not, you shall see all when it is done.” There
was something in this reply to disquiet her, but she was in a state of
mind easily to be disquieted. She was conscious also of a secret
withheld from her husband—and her reproaches sunk back upon her heart,
unuttered, from her lips. She could not, because of what she felt,
declare to him what she thought; and she beheld his progress, from day
to day, with an apprehension that increased momently, and made her
appearance, in one respect, not unlike his own. She was now aware that
he was the victim of a strange excitement, in which his present artist
labors had a considerable share. He seemed to hurry to their prosecution
with an eager impatience that looked like frenzy—and to return from his
daily task with a frame exhausted, but with an eye that seemed to burn
with the subtlest fires. His words were few, but there was a strange
intelligence in his looks. His cheeks had grown very pale, his frame was
thinned, his voice hollow, in the prosecution of these secret labors;
and yet there was a something of exultation in his glance, which fully
declared that, however exhausting to his frame might be the task he was
pursuing, its results were yet looked to with a wild and eager
satisfaction. At length the work was done. One day he stood before her
in an attitude of utter exhaustion. “It is finished!” he exclaimed. “You
shall see it to-morrow.”
“What is it?” she asked.
“Nay, to-morrow! to-morrow!”
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