Graham's Magazine, Vol. XXXV, No. 1, July 1849Various
General
Graham's Magazine, Vol. XXXV, No. 1, July 1849
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
Now, however, he was a general favorite, for largely endowed with animal
spirits, indulged in every wish that his fancy could form, never crossed
in the least particular, it was rarely that his violent temper would
display itself, or his innate selfishness rise conspicuous above the
superficial face of good-nature and somewhat careless affability, which
he presented to the general observer.
It was, perhaps, unfortunate for Jasper, no less than for those who were
in after days connected with him, whether for good or evil, that, at
this critical period of his adolescence, when the character of the man
is developed from the accidents of boyhood, in proportion as his
increasing years and altered habits and pursuits led him to be more
abroad, and cast him in some degree into the world, the advancing years
and growing infirmities of his father kept him closer to the library and
the hall.
So that at the very time when his expanding mind and nascent passions
most needed sage advice and moderate coercion, or at least wary
guidance, he was abandoned almost entirely to his own direction. The
first outbreaks, therefore, of evil principles, the germs of a masterful
will, the seeds of fierce and fiery passions, and, above all, the
growing recklessness with regard to the feelings and the rights of
others, which could scarcely have escaped the notice of the shrewd old
man had he accompanied his son abroad, and which, if noticed, would
surely have been repressed, were allowed to increase hourly by
self-indulgence and the want of restraint, unknown and unsuspected to
the youth himself, for whom one day they were to be the cause of so many
and so bitter trials.
But it is now time that, turning from this brief retrospect of previous
events, and this short analysis of the early constitution of the mind of
him whose singular career is to form the subject of this narrative, we
should introduce our reader to the scene of action, and to the person
whose adventures in after life will perhaps excuse the space which has
necessarily been allotted to the antecedents of the first marked event
which befel him, and from which all the rest took their rise in a train
of connection, which, although difficult to trace by a casual observer,
was in reality close and perfect.
The manor-house of Widecomb, such as it has been slightly sketched
above, stood on a broad flat terrace, paved with slabs of red freestone,
and adorned with a massive balustrade of the same material, interspersed
with grotesque images at the points where it was reached from the
esplanade below, by three or four flights of broad and easy steps.
The mansion itself was large, and singularly picturesque, but the
beauties of the building were as nothing to those of the scenery which
it overlooked.
Public-domain text, read in full here on John Shaqi.
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