Graham's Magazine, Vol. XXXV, No. 3, September 1849Various
General
Graham's Magazine, Vol. XXXV, No. 3, September 1849
Various
Literature -- Periodicals; Literature, Modern -- 19th century -- Periodicals
let his tongue run on in chase of “a penny, a penny, a penny, a penny,”
with the perseverance of a bloodhound.
Elevated on one of the wagons was a member of the light-horse company.
He had taken the post as a matter of joke, and was now holding up the
different articles for sale with a merry smile on his face, and every
now and then winking to the crowd as if to remind them what a capital
jest his being there was. The pedler himself in the meanwhile, with an
apple of a face perched upon a bean-pole of a form, was with great
_nonchalance_ seated upon his box, evidently quite content that the
light-horseman should do the work, and he sit by and receive the
profits. So exciting and pleasant did the soldier find his self-imposed
task, so elated by the possession of this new accomplishment, which had
remained undeveloped even to himself until now, and so intoxicated with
the flattery which the laughter of the throng at his jokes offered, that
he continued there all day, incurring a fine for non-attendance at the
parade.
At the next “General Training” I saw the same fellow. Turned topsy-turvy
by his success, he had abandoned his farm and “took to peddlen” on his
own hook. But what a difference. Interested now in the occupation
personally, and having the “keenest sort” of an eye to the profits, his
selling was no longer a joke. The merry glance was replaced by a look of
care, his dashing, off-hand manner was exchanged for an eager,
beseeching air, his jokes were few and evidently forced; in short, in
making his amusement his trade, he had made himself a very poor pedler.
What became of him I don’t know, but I heard casually once that he had
after a while betaken himself again to his little farm, (which he had
mortgaged to obtain his fitting out as a pedler,) quite broken-spirited
and out at elbows.
Foremost in the tempest of martial music, towering, as it were, the very
genius of the scene, was Joe Lippett. Joe was a capital hand at a fife,
his long chin serving as a resting-place for the instrument. He was
therefore engaged to play for half a dozen companies. It was a sight to
see him. Marching forward with immense strides, his puckered lips and
promontory-like chin forming a deep nook into which his fife was thrust,
he sent forth his piercing notes like a north-wester. After escorting a
company “into line,” he would vanish, and in a minute would be seen at
the head of another, blowing away like Tophet, and after performing the
same service to it, _presto!_ his shrill music would be heard, and his
legs and chin seen coming from a different quarter.
Public-domain text, read in full here on John Shaqi.
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